1/ Universal and Unconditional Basic Income is the best measure for the arts and cultural sector. Art workers claim a basic income, not for themselves, but for everyone.
2/ Do not call UBI any measures that do not equal a living wage: UBI has to be above the poverty threshold. To eliminate poverty, UBI must correspond to a region’s minimum wage.
3/ UBI frees up time, liberating us from the blackmail of precarious labor and from exploitative working conditions.
4/ UBI is given unconditionally and without caveats, regardless of social status, job performance, or ability. It goes against the meritocratic falsehoods that cover for class privilege.
5/ UBI is not a social safety net, nor is it welfare unemployment reform. It is the minimal recognition of the invisible labor that is essential to the reproduction of life, largely unacknowledged but essential, as society’s growing need for care proves.
6/ UBI states that waged labor is no longer the sole means for wealth redistribution. Time and time again, this model proves unsustainable.Wage is just another name for exploitation of workers, who always earn less than they give.
7/ Trans-feminist and decolonizing perspectives teach us to say NO to all the invisible and extractive modes of exploitation, especially within the precarious working conditions created by the art market.
8/ UBI affirms the right to intermittence, privacy and autonomy, the right to stay off-line and not to be available 24/7.
9/ UBI rejects the pyramid scheme of grants and of the nonprofit industrial complex, redistributing wealth equally and without unnecessary bureaucratic burdens. Bureaucracy is the vampire of art workers’ energies and time turning them into managers of themselves.
10/ By demanding UBI, art workers do not defend a guild or a category and depreciate the role that class and privilege play in current perceptions of art. UBI is universal because it is for everyone and makes creative agency available to everyone.
11/ Art’s health is directly connected to a healthy social fabric. To claim for UBI, being grounded in the ethics of mutual care, is art workers’ most powerful gesture of care towards society.
12/ Because UBI disrupts the logic of overproduction, it frees us from the current modes of capital production that are exploiting the planet. UBI is a cosmogenetic technique and a means to achieve climate justice.
13/ Where to find the money for the UBI? In and of itself UBI questions the actual tax systems in Europe and elsewhere. UBI empowers us to reimagine financial transactions, the extractivism of digital platforms, liquidity, and debt.No public service should be cut in order to finance UBI.
14/ UBI inspires many art collectives and communities to test various tools for more equal redistribution of resources and wealth. From self-managed mutual aid systems based on collettivising incomes, to solutions temporarily freeing cognitive workers from public and private constraints. We aim to join them.
Emanuele Braga / Macao, Milan; Institute of Radical Imagination
Marco Bravalle / Sale Docks, Venice; Institute of Radical Imagination
Gabriella Riccio / L’Asilo, Naples ; Institute of Radical Imagination
Ilenia Caleo / Campo Innocente; Incommon – Università IUAV Venezia
Anna Rispoli / Artist
Maddalena Fragnito / Macao, Milan; Phd at Coventry University
Andrea Fumagalli / Effimera; University of Pavia
Nicola Capone / Philosopher; L’Asilo, Naples
Luigi Coppola / Artist
Giuseppe Micciarelli / L’Asilo, Naples, University of Salerno
Julio Linares / Economist and Anthropologist; JoinCircles.net
Dena Beard / The Lab, San Francisco
Manuel Borja-Villel / Museum Director, Madrid
Salvo Torre / Professor, member of POE Politics, Ontologies, Ecologies
Sara Buraya Boned / L’Internationale; Institute Of Radical Imagination
Kuba Szreder / Curator and theorist, Warsaw
Dmitry Vilensky / Chto Delat
Charles Esche / Director of Van Abbemuseum, Eindhoven
Franco Bifo Berardi / Philosopher
Gregory Sholette / Artist
Zeyno Pekunlu / Artist, Institute of Radical Imagination
Anna Daneri / Forum dell’arte contemporanea italiana
Massimo Mollona / Goldsmiths’ University of London, Institute of Radical Imagination
Jerszy Seymour / Artist and Designer; Sandberg Institute
Marco Assennato / Maître de conférences in filosofia, Ecole Nationale Supérieure d’Architecture, Paris-Malaquais
Roberto Ciccarelli / Philosopher and journalist
Sandro Mezzadra / Philosopher
Geert Lovink / Institute of Network Cultures, Amsterdam
Alisa Del Re / senior professor Ateneo Patavino
Andrea Gropplero / Film Director
Giuseppe Allegri / Activist
Elena Lasala Palomar / Institute of Radical Imagination
Nicolas Martino / Philosopher
Ilaria Bussoni / Editor and curator
Danilo Correale / Artist
Annalisa Sacchi / Incommon – Università IUAV Venezia
Giada Cipollone / Incommon – Università IUAV Venezia
Stefano Tomassini / Incommon – Università IUAV Venezia
Piersandra Di Matteo / Incommon – Università IUAV Venezia
Elena Blesa Cabéz / Researcher, Barcelona; Institute of Radical Imagination
Jesús Carrillo / Senior Lecturer at the Department of History and Theory of Art Universidad Autónoma de Madrid; Institute of Radical Imagination
Pablo García Bachiller / Arquitecto; Institute of Radical Imagination
Theo Prodromidis / Artist; Institute of Radical Imagination
Mabel Tapia / Art Researcher Madrid-Paris
Chiara Colasurdo / Labour Lawyer
Institute of Radical Imagination
Il Campo Innocente
Dirty Art Department Gerrit Rietveld Academie and Dirty Art Foundation