Tag: #ARTforUBImanifesto

THE ART OF THE COMMONS | Panel

Basket Court, Piazza Selinunte, Milan – September 30th at 7 pm

Free entrance

MODERATOR

Emanuele Braga

WITH

Marco Baravalle, Kuba Szreder, Alberto Cossu, Gabriella Riccio, Massimiliano Mollona

Recent publications will be presented on the theme of precariousness and income: Art for UBI (manifesto), The ABC of the Projectariat: Living and Working in a Precarious Art World, Art/Commons, Autonomous Art Institutions Artists Disrupting the Creative City.

PROFILES

Kuba Szreder is a researcher, lecturer and independent curator, working as an associate professor at the department for art theory of the Academy of Fine Arts in Warsaw. He has co-curated many interdisciplinary projects hybridizing art with critical reflection and social experiments. He actively cooperates with artistic unions, consortia of post-artistic practitioners, clusters of art-researchers, art collectives and artistic institutions in Poland, the UK, and other European countries. In 2009 he initiated the Free / Slow University of Warsaw, and in 2018 he established the Center for Plausible Economies in London, a research cluster investigating artistic economies. His most recent book The ABC of the projectariat. Living and working in a precarious art world, was published by the Whitworth Museum and Manchester University Press in December 2021.

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Alberto Cossu is a sociologist and media scholar who does research at the intersection between digital media and activism qualitative and digital methods collaborative and digital economies. Before joining the University of Leicester he was Lecturer in New Media & Digital Culture at the University of Amsterdam and previously a Research Fellow at the Department of Social & Political Sciences University of Milan where he has obtained his PhD in Sociology. During his PhD he has conducted research on the mobilisation of knowledge and art workers in Italy; within the EU project P2PValue he was part of an international team led by Prof. A. Arvidsson on peer-to-peer models of organisation and production in Italy and France on digital economy and co-working spaces in Italy and Thailand.

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Marco Baravalle is a member of S.a.L.E. Docks, a collective and an independent space for visual arts, activism, and experimental theater located in what had been an abandoned salt-storage facility in Dorsoduro, Venice. Founded in 2007, its programming includes activist-group meetings, formal exhibitions, screenings, and actions. In addition to managing the diverse programming at S.a.L.E. Docks, Baravalle is currently a research fellow at INCOMMON (IUAV University of Venice). His fields of research include the relationship between art, theatre and activism, creative labor, gentrification, and the positioning of art within neoliberal economics.

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Emanuele Braga co-founder of Macao center, an artist, researcher and activist. In addition to his work at Macao, he co-founded the dance and theatre company Balletto Civile (2003), the contemporary art project Rhaze (2011), as well as Landscape Choreography (2012), an art platform questioning the role of the body under capitalism. His research focuses on models of cultural production, processes of social transformation, political economy, labor rights and the institution of the commons.

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Massimiliano (Mao) Mollona writer, filmmaker and anthropologist. He has a multidisciplinary background in economics and anthropology and his work focuses on the relationships between art and political economy. He conducted extensive fieldworks in Italy, UK, Norway and Brazil, mainly in economic institutions, looking at the relationships between economic development and political identity through participatory and experimental film projects. His practice is situated at the intersection of pedagogy, art and activism.  Mollona is a founding member of the  LUC Laboratory for the Urban Commons (LUC), Athens.

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Gabriella Riccio is an artist, activist and independent researcher. Since 2000 she has been active as choreographer, as well as cultural advisor. Since 2010 Gabriella is engaged in the movement for the commons, artworkers struggles and the Italian movement of self-governed cultural spaces, where as a resident member of L’Asilo – Ex Asilo Filangieri in Naples, she contributed to the Declaration of urban civic and collective use. She is regularly invited as keynote, public speaker and lecturer on practices of commoning and governance. She contributed to EU participatory policy development within the framework of EU Citizen’s Engagement and Deliberative Democracy Festival, EU projects Cultural and Creative Spaces and CitiesDISCE Developing Inclusive Sustainable Creative Economies, Creative Lenses. She contributed to several publications, a.o. Home of Commons, online toolkit for participatory development  2021, Per un approccio sistemico al patrimonio culturale: usi civici e beni comuni. Il caso dell’Ex Asilo Filangieri di Napoli in Visioni al Futuro 2018, La pratica dell’uso civico come scelta estetica etica e politica per il sensible comune in Stefano Rodotà, I beni comuni. L’inaspettata rinascita degli usi collettivi, 2016, L’Asilo as a case study for Creative Lenses,  and L’Asilo in Models to Manifestos, 2019.  Gabriella is a co-founding member of the Institute for Radical Imagination.

L’ARTE DEI COMMONS | Panel

Campo di Basket, Piazza Selinunte Milano

30 Settembre 2022 ore 18:00

Accesso libero

MODERA

Emanuele Braga

CON

Marco Baravalle, Kuba Szreder, Alberto Cossu, Gabriella Riccio, Massimiliano Mollona

Saranno presentate recenti pubblicazioni intorno al tema della precarietà e del reddito: Art for UBI (manifesto), The ABC of the Projectariat: Living and Working in a Precarious Art World, Art/Commons, Autonomous Art Institutions Artists Disrupting the Creative City.

BIO

Emanuele Braga co-fondatore del Macao center, artista, ricercatore e attivista. Oltre al suo lavoro a Macao, ha co-fondato la compagnia di danza e teatro Balletto Civile (2003), il progetto di arte contemporanea Rhaze (2011) e Landscape Choreography (2012), una piattaforma artistica che mette in discussione il ruolo del corpo sotto il capitalismo. La sua ricerca verte sui modelli di produzione culturale, sui processi di trasformazione sociale, sull’economia politica, sui diritti del lavoro e sull’istituzione dei beni comuni.

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La pagina è in costruzione….

UNA RENTA, MUCHOS MUNDOS | ONE INCOME, MANY WORLDS | Performance

image courtesy of Maddalena Fragnito

Location / Lugar: Museo Reina Sofia, Jardin Edificio Sabatini Date / Fecha: September 17, 18:00 Language / Idioma: Español Access / Entradas: Free until full capacity, free tickets available from Reina Sofia Museum website (here) from September 15

the performance introduces the Art for UBI #3 | assembly at 19:00
Una Renta, Muchos Mundos / One Income, Many Worlds

Using the ART FOR UBI [Art for Universal Basic Income] Manifesto as its starting point, IRI has been proposing discussions on the role that art and the world of cultural production should play in the fight for financial redistribution based on mutualism, methods of self-management of resources, access to the means of production and other solidarity practices. This activity begins in the Sabatini Garden of the Museum, with “One income many worlds” performative round table based on the proposal of the artist Anna Rispoli, who regularly works on topics such as remuneration, income and the UBI (universal basic income), mixing performance, social research and conducting real experiments on how to share assets and financial resources.

In the performance Una Renta, Muchos Mundos (One Income, Many worlds) a diversified group of people will perform a fictional assembly in the form of a public coral speech, where the hypothetical impact on their lives of a universal, basic and unconditional income is analyzed on the background of the current pandemic crisis. Is UBI a “simple” financial measure, or is it an essential tool for a radical alternative to the neoliberal reality we are experiencing? What about earning money unrelated to jobs and working hours? What about the possibility to say no to the blackmail of precarity? What about putting and end to race and gender asymmetries so common in today’s labor market? What about detoxing the planet from ecologically dangerous jobs? What about care and mutual aid in front of the endless invitation to be competitive individuals? These are some or the questions inspiring the public dialogue.The performance will be followed by the panel Art For Ubi #3 at the Museum Reina Sofia. 

On this occasion, an IRI team has worked to adapt Rispoli’s proposal and carry out a dramaturgy that takes up these lines from dialogue with a group of people who live and work in Spain, and who have participated in a series of interviews that have given rise to the dramaturgy of this performance. This research phase is part of the DESVÍO Open Program, a tool for dialogue and collective work promoted by hablarenarte / Planta Alta that aims to actuate and affect our immediate context.

Con el Manifiesto ART FOR UBI [Arte por la Renta Básica Universal] como punto de partida, el IRI viene proponiendo discusiones sobre el papel que el arte y el mundo de la producción cultural deben tener en la lucha por una redistribución financiera basada en el mutualismo, los métodos de autogestión de recursos, el acceso a los medios de producción y otras prácticas solidarias. Esta actividad comienza en el Jardín de Sabatini del Museo, con “Una renta muchos mundos” mesa redonda performativa basada en la propuesta de la artista Anna Rispoli, que trabaja regularmente temas como la remuneración, los ingresos y la RBU (renta básica universal), mezclando performance, investigación social y realizando experimentos reales sobre cómo compartir bienes y recursos financieros.

En la performance Una Renta, Muchos Mundos (One Income, Many worlds) un grupo diversificado de personas interpretará una asamblea ficticia en forma de discurso público coral donde se analiza el hipotético impacto en sus vidas de una renta universal, básica e incondicional en el contexto de la actual crisis pandémica. ¿Es la RBU una medida financiera “simple” o una herramienta fundamental para una alternativa radical a la realidad neoliberal que vivimos? ¿Qué pasa con ganar dinero no relacionado con el trabajo y las horas de trabajo? ¿Y la posibilidad de decir no al chantaje de la precariedad? ¿Qué hay de poner fin a las asimetrías de raza y género tan comunes en el mercado laboral actual? ¿Qué hay de desintoxicar el planeta de trabajos ecológicamente peligrosos? ¿Qué pasa con el cuidado y la ayuda mutua frente a la interminable invitación a ser individuos competitivos? Estas son algunas de las preguntas que inspiran el diálogo público La actuación será seguida por el panel Art For Ubi # 3 en el Museo Reina Sofía.

En esta ocasión, un equipo del IRI ha trabajado para adaptar la propuesta de Rispoli y realizar una dramaturgia que retome estas líneas a partir del diálogo con un grupo de personas que viven y trabajan en España, y que han participado en una serie de entrevistas que han dado lugar a la dramaturgia de esta performance. Esta fase de investigación, se enmarca dentro del Programa Abierto de DESVÍO una herramienta de diálogo y trabajo colectivo impulsada por hablarenarte / Planta Alta que se propone accionar y afectar nuestro contexto inmediato.

Based on an idea by / Basado en una idea de Anna Rispoli, Einkommen. Die Bedingugslose Rede, Wiener Festwochen 2021 Concept Concepto Marco Baravalle, Elena Blesa, Emanuele Braga, Sara Buraya Boned, Gabriella Riccio, Anna Rispoli Text / Texto Marco Baravalle, Elena Blesa, Emanuele Braga, Gabriella Riccio, Anna Rispoli and 14 citizens of Madrid and Barcelona Direction / Dirección: Gabriella Riccio Research & Interviews / Investigación y Entrevistas: Gabriella Riccio with the collaboration of Ana Campillos, Maite Gandulfo, Maria Mallol, Celina Poloni – With the support of / Apoyan Hablarenarte / Planta Alta

With the participation of / Con la participación de: Miguel Ángel Álvarez Tornero, Andrei Alexandru Mazga, Sara Babiker Moreno, Elena Blesa Cabéz, Amalia Caballero, José Antonio Campillos Martín-Consuegra, Constanza Cisneros, Ana Gutiérrez Borreguero, Sebastián Laina, Mar Núñez, Lucía Núñez Ortega, Gabriella Riccio, Juan Manuel Rodriguez, Hella Spinelli

A production by / Una producción de: Institute of Radical Imagination, FfAI Foundation for the Arts Activities / Museo Reina Sofia

ARTISTIC TEAM / EQUIPO ARTÍSTICO

Anna Rispoli is an Italian artist and director, who lives and works in Brussels. Anna created Income. The Unconditional speech commissioned by Wiener Festwochen Festival 2021. She was a member of the artists collective ZimmerFrei, who participated in international festivals and exhibitions such as the 50th Biennale di Venezia, Manifesta 07, Biennale Valencia, Thessaloniki Documentary Festival, Visions du Réel Nyon, Festival Internationale del Film di Roma, Torino Film Festival, or Film Fest Gent. Anna Rispoli works across the boundaries of the artistic creation with civil space, making a performative use of the urban fabric in order to explore the relationship between humans, cities, and identities. Her works include Les Marches de la Bourse in which she reunited political activists of the last fifty years in a meta-demonstration claiming the right to demonstrate, her series of light shows Vorrei tanto tornare a casa about an apartment block’s residents’ attitude towards cohabitation, and the Waterfront Cycle with pieces produced in Mühlheim an der Ruhr, Kortrijk and Abu Dhabi. In the 2020 project A certain value, Rispoli developed a participative performance out of her research exploring mutualization practices developed by five European communities. Anna Rispoli is part of Common Wallet, a union of Brussels-based artists with a practice of economic solidarity.

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Gabriella Riccio is artist-choreographer, curator, activist and researcher based in Madrid and Naples. She is artis in residence at Planta Alta / Hablarenarte, Madrid in the framework of Desvío 2021 and in this framework she is researcher and director of the performance “Una renta, muchos mundos”. With a professional career as author-choreographer with over 14 creations – ciagabriellariccio.com – and a background in political studies, cultural management and human rights she focuses on artistic production in its political dimension at the intersection with activism. Active in the movement for the commons and the Italian Movement of Self-Governed Cultural Spaces, as resident member of L’Asilo in Naples, she is speaker in numerous international conferences on cultural commons and participatory democracy and published essays – gabriellariccio.academia.edu – on the relationship between dance and philosophy, as well as on the intersection of ethics, aesthetics and politics.

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Emanuele Braga co-founder of Macao center in MIlan. He is artist, researcher and activist. In addition to his work at Macao, he co-founded the dance and theatre company Balletto Civile (2003), the contemporary art project Rhaze (2011), as well as Landscape Choreography (2012), an art platform questioning the role of the body under capitalism. His research focuses on models of cultural production, processes of social transformation, political economy, labor rights and the institution of the commons.

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Marco Baravalle is a member of S.a.L.E. Docks in Venice a collective and an independent space for visual arts, activism, and experimental theater located in what had been an abandoned salt-storage facility in Dorsoduro, Venice. Founded in 2007, its programming includes activist-group meetings, formal exhibitions, screenings, and actions. In addition to managing the diverse programming at S.a.L.E. Docks, Baravalle is currently a research fellow at INCOMMON (IUAV University of Venice). His fields of research include the relationship between art, theatre and activism, creative labor, gentrification, and the positioning of art within neoliberal economics.

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Sara Buraya Boned is part of Museo en Red a Department of Public Activities of the Museo Reina Sofía where she was Coordinator of Cultural Programmes (2013-2015) and Coordinator of International Programs (2016-2019)as project manager for Our Many Europes. Europe’s Critical 90s and the Constituent Museum and The Uses of Art. The Legacy of 1848 and 1989 of European confederation of museums L’Internationale, and the programme Midstream. New Ways of Audience Development in Contemporary Art with the eipcp network. Within Museo en Red she works with platforms and agents of different scales to establishing ties with other communities or other institutional constructions, to produce a network of relationships aiming to generate critical thinking, actions and new forms of institutionality in the field of art, culture and politics. Her research and institutional work is crossed by the proposals of feminisms, other institutionalism, urban commons, archive and memory of social movements and politics of care.  She is currently member of the Editorial Board of L’Internationale online, and she is part of the collective projects Somateca, Archivos comunes and Calipsofacto.

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Elena Blesa Cábez is a researcher, artist and cultural mediator based in Barcelona, Spain. Graduated in Fine Arts and master on Comparative Studies in Literature, Art and Thought, both at Barcelona. Currently, she is completing a masters on Contemporary Art History at Universidad Complutense, Madrid, hosted by Museo Reina Sofía. Her professional career is situated at a point between pedagogy and artistic production. Her research, mainly conducted from collective methodologies and dialectical practice, focuses on strategies that are being adopted from contemporary art to rethink the concept of citizenship in the Mediterranean current context. Since 2018, she’s an artist in residence at FASE, Space for the creation and thought (L’Hospitalet de Llobregat/Barcelona) and part of Espècies invasores collective.

Anna Rispoli es una artista y directora italiana que vive y trabaja en Bruselas. Ana es creadora de Income. The Unconditional speech encargada por el Festival Wiener Festvochen 2021. Fue miembro del colectivo de artistas ZimmerFrei, que participó en festivales y exposiciones internacionales como la 50a Biennale di Venezia, Manifesta 07, Biennale Valencia, Thessaloniki Documentary Festival, Visions du Réel Nyon, Festival Internationale del Film di Roma, Torino Film Festival , o Film Fest Gent. Anna Rispoli trabaja a través de los límites de la creación artística con el espacio civil, haciendo un uso performativo del tejido urbano para explorar la relación entre humanos, ciudades e identidades. Entre sus obras se encuentran Les Marches de la Bourse en la que reunió a activistas políticos de los últimos cincuenta años en una metamanifestación reivindicando el derecho a manifestarse, su serie de espectáculos de luces Vorrei tanto tornare a casa sobre la actitud de los residentes de un bloque de apartamentos hacia la convivencia, y el Waterfront Cycle con piezas producidas en Mühlheim an der Ruhr, Kortrijk y Abu Dhabi. En el proyecto 2020 Un cierto valor, Rispoli desarrolló una actuación participativa a partir de su investigación que explora las prácticas de mutualización desarrolladas por cinco comunidades europeas. Anna Rispoli es parte de Common Wallet, una unión de artistas con sede en Bruselas con una práctica de solidaridad económica.

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Gabriella Riccio es artista-coreógrafa, comisaria, activista e investigadora afincada en Madrid y Nápoles. Es artista residente en Planta Alta / Hablarenarte, Madrid en el marco de Desvío 2021 y en este marco es investigadora y directora de la performance “Una renta, muchos mundos”. Con una carrera profesional como autora-coreógrafa con más de 14 creaciones – gabriellariccio.art – y una formación en estudios políticos, gestión cultural y derechos humanos se enfoca en la producción artística en su dimensión política en la intersección con el activismo. Activa en el movimiento por los comunes y el Movimiento Italiano de Espacios Culturales Autónomos, como miembro residente de L’Asilo en Nápoles Es ponente en conferencias internacionales sobre bienes comunes culturales y democracia participativa y ha publicado ensayos – gabriellariccio.academia.edu – sobre la relación entre danza y filosofía, así como sobre la intersección de la ética, la estética y la política.

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Emanuele Braga cofundador del centro de Macao en Milano. Es artista, investigador y activista. Además de su trabajo en Macao, cofundó la compañía de danza y teatro Balletto Civile (2003), el proyecto de arte contemporáneo Rhaze (2011), así como Landscape Choreography (2012), una plataforma de arte que cuestiona el papel del cuerpo. bajo el capitalismo. Su investigación se centra en modelos de producción cultural, procesos de transformación social, economía política, derechos laborales y la institución de los bienes comunes.

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Marco Baravalle es miembro de S.a.L.E. Docks en Venecia, un espacio colectivo e independiente para las artes visuales, el activismo y el teatro experimental ubicado en lo que había sido una instalación de almacenamiento de sal abandonada en Dorsoduro, Venecia. Fundada en 2007, su programación incluye reuniones de grupos de activistas, exposiciones formales, proyecciones y acciones. Además de gestionar la diversa programación en S.a.L.E. Docks, Baravalle es actualmente becario de investigación en INCOMMON (Universidad IUAV de Venecia). Sus campos de investigación incluyen la relación entre arte, teatro y activismo, trabajo creativo, gentrificación y el posicionamiento del arte dentro de la economía neoliberal.

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Sara Buraya Boned forma parte del Departamento de Actividades Públicas del Museo en Red del Museo Reina Sofía donde fue Coordinadora de Programas Culturales (2013-2015) y Coordinadora de Programas Internacionales (2016-2019) como Project manager de Our Many Europes. Europa crítica de los noventa y el museo constituyente y los usos del arte. El legado de 1848 y 1989 de la confederación europea de museos L’Internationale, y el programa Midstream. Nuevas formas de desarrollo de la audiencia en el arte contemporáneo con la red eipcp. Dentro del Museo en Red trabaja con plataformas y agentes de diferentes escalas para establecer lazos con otras comunidades u otras construcciones institucionales, para producir una red de relaciones con el objetivo de generar pensamiento crítico, acciones y nuevas formas de institucionalidad en el campo del arte, la cultura y política. Su labor investigadora y institucional está atravesada por las propuestas de feminismos, otras institucionalidades, bienes comunes urbanos, archivo y memoria de movimientos sociales y políticas de cuidado. Actualmente es miembro del Comité Editorial de L’Internationale online, y forma parte de los proyectos colectivos Somateca, Archivos comunes y Calipsofacto.

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Elena Blesa Cábez es investigadora, artista y mediadora cultural con sede en Barcelona, España. Licenciada en Bellas Artes y máster en Estudios Comparados en Literatura, Arte y Pensamiento, ambas en Barcelona. Actualmente, está cursando una maestría en Historia del Arte Contemporáneo en la Universidad Complutense de Madrid, impartida por el Museo Reina Sofía. Su carrera profesional se sitúa en un punto entre la pedagogía y la producción artística. Su investigación, desarrollada principalmente desde metodologías colectivas y práctica dialéctica, se centra en estrategias que se están adoptando desde el arte contemporáneo para repensar el concepto de ciudadanía en el contexto actual mediterráneo. Desde 2018 es artista residente en FASE, Espacio para la creación y el pensamiento (L’Hospitalet de Llobregat / Barcelona) y forma parte del colectivo Espècies invasores.

ART FOR UBI (Manifesto) 14/

You can sign the ART FOR UBI MANIFESTO here > https://www.change.org/ARTforUBImanifesto

use the hashtag #ARTforUBImanifesto

ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

ART FOR UBI MANIFESTO in Italian > https://instituteofradicalimagination.org/2021/01/01/art-for-ubi-manifesto-campagna-online/

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

#schoolofmutation #radicalcare #covid19 #socialpoetics #commons #tangibleutopias #dissenting #diyculture #decolonialalliance#radicalnetwork #culturalactivism #grassroots #communityorganisation #culturalactivism #grassroots#radicalimagination #socialpracticeart #socialagency #counternarratives #contestedspaces #artandsocialaction #communityengagement #curatorialpractice #care #curator #artcurator #art #ubi

ART FOR UBI (Manifesto) 13/

You can sign the ART FOR UBI MANIFESTO here > https://www.change.org/ARTforUBImanifesto

use the hashtag #ARTforUBImanifesto

ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

ART FOR UBI MANIFESTO in Italian > https://instituteofradicalimagination.org/2021/01/01/art-for-ubi-manifesto-campagna-online/

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

#schoolofmutation #radicalcare #covid19 #socialpoetics #commons #tangibleutopias #dissenting #diyculture #decolonialalliance#radicalnetwork #culturalactivism #grassroots #communityorganisation #culturalactivism #grassroots#radicalimagination #socialpracticeart #socialagency #counternarratives #contestedspaces #artandsocialaction #communityengagement #curatorialpractice #care #curator #artcurator #art #ubi

ART FOR UBI (Manifesto) 12/

You can sign the ART FOR UBI MANIFESTO here > https://www.change.org/ARTforUBImanifesto

use the hashtag #ARTforUBImanifesto

ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

ART FOR UBI MANIFESTO in Italian > https://instituteofradicalimagination.org/2021/01/01/art-for-ubi-manifesto-campagna-online/

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

#schoolofmutation #radicalcare #covid19 #socialpoetics #commons #tangibleutopias #dissenting #diyculture #decolonialalliance#radicalnetwork #culturalactivism #grassroots #communityorganisation #culturalactivism #grassroots#radicalimagination #socialpracticeart #socialagency #counternarratives #contestedspaces #artandsocialaction #communityengagement #curatorialpractice #care #curator #artcurator #art #ubi

ART FOR UBI (Manifesto) 11/

You can sign the ART FOR UBI MANIFESTO here > https://www.change.org/ARTforUBImanifesto

use the hashtag #ARTforUBImanifesto

ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

ART FOR UBI MANIFESTO in Italian > https://instituteofradicalimagination.org/2021/01/01/art-for-ubi-manifesto-campagna-online/

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

#schoolofmutation #radicalcare #covid19 #socialpoetics #commons #tangibleutopias #dissenting #diyculture #decolonialalliance#radicalnetwork #culturalactivism #grassroots #communityorganisation #culturalactivism #grassroots#radicalimagination #socialpracticeart #socialagency #counternarratives #contestedspaces #artandsocialaction #communityengagement #curatorialpractice #care #curator #artcurator #art #ubi

ART FOR UBI (Manifesto) 10/

You can sign the ART FOR UBI MANIFESTO here > https://www.change.org/ARTforUBImanifesto

use the hashtag #ARTforUBImanifesto

ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

ART FOR UBI MANIFESTO in Italian > https://instituteofradicalimagination.org/2021/01/01/art-for-ubi-manifesto-campagna-online/

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

#schoolofmutation #radicalcare #covid19 #socialpoetics #commons #tangibleutopias #dissenting #diyculture #decolonialalliance#radicalnetwork #culturalactivism #grassroots #communityorganisation #culturalactivism #grassroots#radicalimagination #socialpracticeart #socialagency #counternarratives #contestedspaces #artandsocialaction #communityengagement #curatorialpractice #care #curator #artcurator #art #ubi

ART FOR UBI (Manifesto) 9/

You can sign the ART FOR UBI MANIFESTO here > https://www.change.org/ARTforUBImanifesto

use the hashtag #ARTforUBImanifesto

ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

ART FOR UBI MANIFESTO in Italian > https://instituteofradicalimagination.org/2021/01/01/art-for-ubi-manifesto-campagna-online/

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

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ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

ART FOR UBI MANIFESTO in Italian > https://instituteofradicalimagination.org/2021/01/01/art-for-ubi-manifesto-campagna-online/

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

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ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

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We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

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ART FOR UBI (Manifesto) 6/

You can sign the ART FOR UBI MANIFESTO here > https://www.change.org/ARTforUBImanifesto

use the hashtag #ARTforUBImanifesto

ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

ART FOR UBI MANIFESTO in Italian > https://instituteofradicalimagination.org/2021/01/01/art-for-ubi-manifesto-campagna-online/

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

#schoolofmutation #radicalcare #covid19 #socialpoetics #commons #tangibleutopias #dissenting #diyculture #decolonialalliance#radicalnetwork #culturalactivism #grassroots #communityorganisation #culturalactivism #grassroots#radicalimagination #socialpracticeart #socialagency #counternarratives #contestedspaces #artandsocialaction #communityengagement #curatorialpractice #care #curator #artcurator #art #ubi
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ART FOR UBI (Manifesto) 5/

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use the hashtag #ARTforUBImanifesto

ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

ART FOR UBI MANIFESTO in Italian > https://instituteofradicalimagination.org/2021/01/01/art-for-ubi-manifesto-campagna-online/

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

#schoolofmutation #radicalcare #covid19 #socialpoetics #commons #tangibleutopias #dissenting #diyculture #decolonialalliance#radicalnetwork #culturalactivism #grassroots #communityorganisation #culturalactivism #grassroots#radicalimagination #socialpracticeart #socialagency #counternarratives #contestedspaces #artandsocialaction #communityengagement #curatorialpractice #care #curator #artcurator #art #ubi
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ART FOR UBI (Manifesto) 4/

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use the hashtag #ARTforUBImanifesto

ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

ART FOR UBI MANIFESTO in Italian > https://instituteofradicalimagination.org/2021/01/01/art-for-ubi-manifesto-campagna-online/

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

#schoolofmutation #radicalcare #covid19 #socialpoetics #commons #tangibleutopias #dissenting #diyculture #decolonialalliance#radicalnetwork #culturalactivism #grassroots #communityorganisation #culturalactivism #grassroots#radicalimagination #socialpracticeart #socialagency #counternarratives #contestedspaces #artandsocialaction #communityengagement #curatorialpractice #care #curator #artcurator #art #ubi
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ART FOR UBI (Manifesto) 3/

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use the hashtag #ARTforUBImanifesto

ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

ART FOR UBI MANIFESTO in Italian > https://instituteofradicalimagination.org/2021/01/01/art-for-ubi-manifesto-campagna-online/

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

#schoolofmutation #radicalcare #covid19 #socialpoetics #commons #tangibleutopias #dissenting #diyculture #decolonialalliance#radicalnetwork #culturalactivism #grassroots #communityorganisation #culturalactivism #grassroots#radicalimagination #socialpracticeart #socialagency #counternarratives #contestedspaces #artandsocialaction #communityengagement #curatorialpractice #care #curator #artcurator #art #ubi

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ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

ART FOR UBI MANIFESTO in Italian > https://instituteofradicalimagination.org/2021/01/01/art-for-ubi-manifesto-campagna-online/

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

#schoolofmutation #radicalcare #covid19 #socialpoetics #commons #tangibleutopias #dissenting #diyculture #decolonialalliance#radicalnetwork #culturalactivism #grassroots #communityorganisation #culturalactivism #grassroots#radicalimagination #socialpracticeart #socialagency #counternarratives #contestedspaces #artandsocialaction #communityengagement #curatorialpractice #care #curator #artcurator #art #ubi

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ART FOR UBI MANIFESTO in English > https://instituteofradicalimagination.org/2021/01/16/art-for-ubi-manifesto-launching-campaign/

ART FOR UBI MANIFESTO in Italian > https://instituteofradicalimagination.org/2021/01/01/art-for-ubi-manifesto-campagna-online/

We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe https://eci.ec.europa.eu/014/public/#/screen/home

#schoolofmutation #radicalcare #covid19 #socialpoetics #commons #tangibleutopias #dissenting #diyculture #decolonialalliance#radicalnetwork #culturalactivism #grassroots #communityorganisation #culturalactivism #grassroots#radicalimagination #socialpracticeart #socialagency #counternarratives #contestedspaces #artandsocialaction #communityengagement #curatorialpractice #care #curator #artcurator #art #ubi

ART FOR UBI (MANIFESTO) | Campaign

ART for UBI Manifesto > ITALIANO

#ARTforUBImanifesto

You can sign ART FOR UBI (Manifesto) on change.org
We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe

1/ Universal and Unconditional Basic Income is the best measure for the arts and cultural sector. Art workers claim a basic income, not for themselves, but for everyone.

2/ Do not call UBI any measures that do not equal a living wage: UBI has to be above the poverty threshold. To eliminate poverty, UBI must correspond to a region’s minimum wage.

3/ UBI frees up time, liberating us from the blackmail of precarious labor and from exploitative working conditions.

4/ UBI is given unconditionally and without caveats, regardless of social status, job performance, or ability. It goes against the meritocratic falsehoods that cover for class privilege.  

5/ UBI is not a social safety net, nor is it welfare unemployment reform. It is the minimal recognition of the invisible labor that is essential to the reproduction of life, largely unacknowledged but essential, as society’s growing need for care proves.

6/ UBI states that waged labor is no longer the sole means for wealth redistribution. Time and time again, this model proves unsustainable.Wage is just another name for exploitation of workers, who always earn less than they give. 

7/ Trans-feminist and decolonizing perspectives teach us to say NO to all the invisible and extractive modes of exploitation, especially within the precarious working conditions created by the art market.

8/ UBI affirms the right to intermittence, privacy and autonomy, the right to stay off-line and not to be available 24/7.

9/ UBI rejects the pyramid scheme of grants and of the nonprofit industrial complex, redistributing wealth equally and without unnecessary bureaucratic burdens. Bureaucracy is the vampire of art workers’ energies and time turning them into managers of themselves.

10/ By demanding UBI, art workers do not defend a guild or a category and depreciate the role that class and privilege play in current perceptions of art. UBI is universal because it is for everyone and makes creative agency available to everyone.

11/ Art’s health is directly connected to a healthy social fabric. To claim for UBI, being grounded in the ethics of mutual care, is art workers’ most powerful gesture of care towards society.

12/ Because UBI disrupts the logic of overproduction, it frees us from the current modes of capital production that are exploiting the planet. UBI is a cosmogenetic technique and a means to achieve climate justice.

13/ Where to find the money for the UBI? In and of itself UBI questions the actual tax systems in Europe and elsewhere. UBI empowers us to reimagine financial transactions, the extractivism of digital platforms, liquidity, and debt. No public service should be cut in order to finance UBI.

14/ UBI inspires many art collectives and communities to test various tools for more equal redistribution of resources and wealth. From self-managed mutual aid systems based on collettivising incomes, to solutions temporarily freeing cognitive workers from public and private constraints. We aim to join them.


Individuals / Organisations

  • Emanuele Braga / Macao, Milan; Institute of Radical Imagination
  • Marco Bravalle / Sale Docks, Venice; Institute of Radical Imagination
  • Gabriella Riccio / L’Asilo, Naples ; Institute of Radical Imagination
  • Ilenia Caleo / Campo Innocente; Incommon – Università IUAV Venezia
  • Anna Rispoli / Artist
  • Maddalena Fragnito / Macao, Milan; Phd at Coventry University
  • Andrea Fumagalli / Effimera; University of Pavia
  • Nicola Capone / Philosopher; L’Asilo, Naples
  • Luigi Coppola / Artist
  • Giuseppe Micciarelli / L’Asilo, Naples, University of Salerno
  • Julio Linares / Economist and Anthropologist; JoinCircles.net
  • Dena Beard / The Lab, San Francisco
  • Manuel Borja-Villel / Museum Director, Madrid
  • Salvo Torre / Professor, member of POE Politics, Ontologies, Ecologies
  • Sara Buraya Boned / L’Internationale; Institute Of Radical Imagination
  • Kuba Szreder / Curator and theorist, Warsaw
  • Dmitry Vilensky / Chto Delat
  • Charles Esche / Director of Van Abbemuseum, Eindhoven
  • Franco Bifo Berardi / Philosopher
  • Gregory Sholette / Artist
  • Zeyno Pekunlu / Artist, Institute of Radical Imagination
  • Anna Daneri / Forum dell’arte contemporanea italiana
  • Massimo Mollona / Goldsmiths’ University of London, Institute of Radical Imagination
  • Jerszy Seymour / Artist and Designer; Sandberg Institute
  • Marco Assennato / Maître de conférences in filosofia, Ecole Nationale Supérieure d’Architecture, Paris-Malaquais
  • Roberto Ciccarelli / Philosopher and journalist
  • Sandro Mezzadra / Philosopher
  • Geert Lovink / Institute of Network Cultures, Amsterdam
  • Alisa Del Re / senior professor Ateneo Patavino
  • Andrea Gropplero / Film Director
  • Giuseppe Allegri / Activist
  • Elena Lasala Palomar / Institute of Radical Imagination
  • Nicolas Martino / Philosopher
  • Ilaria Bussoni / Editor and curator
  • Danilo Correale / Artist
  • Annalisa Sacchi / Incommon – Università IUAV Venezia
  • Giada Cipollone / Incommon – Università IUAV Venezia
  • Stefano Tomassini / Incommon – Università IUAV Venezia
  • Piersandra Di Matteo / Incommon – Università IUAV Venezia
  • Elena Blesa Cabéz / Researcher, Barcelona; Institute of Radical Imagination
  • Jesús Carrillo / Senior Lecturer at the Department of History and Theory of Art Universidad Autónoma de Madrid; Institute of Radical Imagination
  • Pablo García Bachiller / Arquitecto; Institute of Radical Imagination
  • Theo Prodromidis / Artist; Institute of Radical Imagination
  • Mabel Tapia / Art Researcher Madrid-Paris
  • Chiara Colasurdo / Labour Lawyer
  • Institute of Radical Imagination
  • Il Campo Innocente
  • Macao
  • Sale Docks
  • Chto Delat
  • L’Asilo
  • Euronomade
  • Dirty Art Department Gerrit Rietveld Academie and Dirty Art Foundation
  • Effimera
  • OperaViva Magazine
  • Basic Income Network – Italia
  • Community and Research for Circles UBI
  • Forum d’arte contemporanea
  • Global Project
  • Dinamopress
  • Sherwood
  • AWI Art Workers Italy
  • Maestranze dello Spettacolo Veneto
  • Autonomedia New York City



ART FOR UBI (MANIFESTO) | campagna online

ART for UBI Manifesto > ENGLISH

#ARTforUBImanifesto

Se vuoi aggiungerti ai sottoscrittori di ART FOR UBI (Manifesto) puoi farlo su change.org
Ti invitiamo caldamente a sostenere l’Iniziativa dei cittadini europei per avviare redditi di base incondizionati (RBI) in tutta l’UE

ART FOR UBI (Manifesto)


1/ Il reddito di base universale ed incondizionato (UBI) è la migliore misura per il settore artistico e culturale. Al tempo stesso, i lavoratori e le lavoratrici dell’arte chiedono il reddito di base non solo per sé stess*, ma per tutt*.

2/ Tutte quelle misure che non raggiungono un salario di sussistenza, non sono definibili come UBI. Questo deve superare la soglia di povertà. Per eliminare la miseria, l’UBI deve corrispondere, almeno, al salario minimo di uno Stato o di una regione. 

3/ L’UBI libera tempo e ci libera dal ricatto del lavoro precario e dalle condizioni di sfruttamento sul lavoro.

4/ L’UBI non è sottoposto a condizioni ed è corrisposto indipendentemente dallo status sociale, dalla performance lavorativa e dalle capacità. Si oppone alla menzogna meritocratica che copre il privilegio di classe.

5/ L’UBI non è un ammortizzatore sociale o una riforma del regime di disoccupazione. È il riconoscimento minimo di quel lavoro invisibile, essenziale per la riproduzione delle vita, lavoro spesso non riconosciuto, ma necessario, come prova il crescente bisogno sociale di cura.

6/ L’UBI chiarisce che il lavoro salariato non è più il solo mezzo di redistribuzione della ricchezza. Anzi, esso è alla base di un modello insostenibile. Salario è un altro nome dello sfruttamento delle lavoratrici e dei lavoratori che ricevono meno di quanto danno.

7/ Le prospettive transfemministe e decoloniali ci insegnano a dire NO a tutte forme di sfruttamento invisibili ed estrattive, specialmente alle condizioni di precarietà tipiche del mercato e del lavoro artistico.

8/ L’UBI afferma il diritto all’intermittenza, alla privacy, all’autonomia, il diritto di rimanere offline e di non essere reperibili 24/7.

9/ Distribuendo ricchezza senza obblighi burocratici, l’UBI rifiuta la struttura piramidale dei finanziamenti e del complesso industriale del non-profit culturale. La burocrazia è il vampiro delle energie delle lavoratrici e dei lavoratori dell’arte. È ciò che le/li trasforma in imprenditori del sé stess*.

10/ Pretendendo l’UBI, le lavoratrici ed i lavoratori dell’arte non difendono una corporazione o una categoria. Al contrario, ess* intaccano il ruolo che classe e privilegio svolgono nella percezione dell’arte. L’UBI è universale Perché è per tutt* e permette a tutt* agibilità creativa

11/ La salute dell’arte è direttamente collegata ad un tessuto sociale in salute. Chiedere l’UBI e praticare un’etica della cura reciproca sono i più potenti gesti di cura nei confronti della società che lavoratrici e lavoratori dell’arte potrebbero fare.

12/ Interrompendo la logica della sovrapproduzione, l’UBI ci libera dai modi presenti della produzione capitalistica e dai loro effetti nocivi sul pianeta. L’UBI è una tecnica cosmogenetica ed un mezzo per ottenere giustizia climatica.

13/ Dove trovare i soldi per un reddito di base? L’UBI mette in discussione l’attuale sistema fiscale europeo e non solo. L’UBI è uno strumento che ci permette di ripensare le transazioni finanziarie, l’estrattivismo delle piattaforme digitali, la liquidità ed il debito. Nessun servizio pubblico deve essere tagliato per implementare l’UBI.

14 L’UBI ispira molti collettivi artistici e molte comunità a testare diversi strumenti per una redistribuzione più equa di risorse e ricchezza: a partire da sistemi autogestiti di mutuo soccorso basati sulla collettivizzazione dei guadagni, fino a soluzioni temporanee per liberare i lavoratori cognitivi dai vincoli pubblici e privati (e non solo). Vogliamo fare nostre tali sperimentazioni.

SOTTOSCRIZIONI

Persone

  • Emanuele Braga / Macao, Milan; Institute of Radical Imagination
  • Marco Bravalle / Sale Docks, Venice; Institute of Radical Imagination
  • Gabriella Riccio / L’Asilo, Naples ; Institute of Radical Imagination
  • Ilenia Caleo / Campo Innocente; Incommon – Università IUAV Venezia
  • Anna Rispoli / Artist
  • Maddalena Fragnito / Macao, Milan; Phd at Coventry University
  • Andrea Fumagalli / Effimera; University of Pavia
  • Nicola Capone / Philosopher; L’Asilo, Naples
  • Luigi Coppola / Artist
  • Giuseppe Micciarelli / L’Asilo, Naples, University of Salerno
  • Julio Linares / Economist and Anthropologist; JoinCircles.net
  • Dena Beard / The Lab, San Francisco
  • Manuel Borja-Villel / Museum Director, Madrid
  • Salvo Torre / Professor, member of POE Politics, Ontologies, Ecologies
  • Sara Buraya Boned / L’Internationale; Institute Of Radical Imagination
  • Kuba Szreder / Curator and theorist, Warsaw
  • Dmitry Vilensky / Chto Delat
  • Charles Esche / Director of Van Abbemuseum, Eindhoven
  • Franco Bifo Berardi / Philosopher
  • Gregory Sholette / Artist
  • Zeyno Pekunlu / Artist, Institute of Radical Imagination
  • Anna Daneri / Forum dell’arte contemporanea italiana
  • Massimo Mollona / Goldsmiths’ University of London, Institute of Radical Imagination
  • Jerszy Seymour / Artist and Designer; Sandberg Institute
  • Marco Assennato / Maître de conférences in filosofia, Ecole Nationale Supérieure d’Architecture, Paris-Malaquais
  • Roberto Ciccarelli / Philosopher and journalist
  • Sandro Mezzadra / Philosopher
  • Geert Lovink / Institute of Network Cultures, Amsterdam
  • Alisa Del Re / senior professor Ateneo Patavino
  • Andrea Gropplero / Film Director
  • Giuseppe Allegri / Activist
  • Elena Lasala Palomar / Institute of Radical Imagination
  • Nicolas Martino / Philosopher
  • Ilaria Bussoni / Editor and curator
  • Danilo Correale / Artist
  • Annalisa Sacchi / Incommon – Università IUAV Venezia
  • Giada Cipollone / Incommon – Università IUAV Venezia
  • Stefano Tomassini / Incommon – Università IUAV Venezia
  • Piersandra Di Matteo / Incommon – Università IUAV Venezia
  • Elena Blesa Cabéz / Researcher, Barcelona; Institute of Radical Imagination
  • Jesús Carrillo / Senior Lecturer at the Department of History and Theory of Art Universidad Autónoma de Madrid; Institute of Radical Imagination
  • Pablo García Bachiller / Arquitecto; Institute of Radical Imagination


Organizzazioni

  • Institute of Radical Imagination
  • Il Campo Innocente
  • Macao
  • Sale Docks
  • Chto Delat
  • L’Asilo
  • Euronomade
  • Dirty Art Department Gerrit Rietveld Academie and Dirty Art Foundation
  • Effimera
  • OperaViva Magazine
  • Basic Income Network – Italia
  • Community and Research for Circles UBI
  • Forum d’arte contemporanea
  • Global Project
  • Dinamopress
  • Sherwood
  • AWI Art Workers Italy
  • Maestranze dello Spettacolo Veneto
  • Autonomedia New York City