Tag: Anna Rispoli

English

INCONDIZIONATAMENTE Vita Reddito Amore | Performance
Italiano | English

Basket Court, Piazza Selinunte Milan | September 30th 2022 at 6 pm followed by the Panel The Art of the Commons + October 1st 2022 at 5 pm | In the framework of FAROUT Festival/Base MIlano & Walk the red line Festival/Le Alleanze dei Corpi

BASED ON AN IDEA BY

Anna Rispoli

for the Wiener Festwochen 2021
CONCEPT, DRAMATURGY, DIRECTION

Emanuele Braga, Gabriella Riccio (Institute of Radical Imagination) & Anna Rispoli

TEXT

Emanuele Braga, Gabriella Riccio (Institute of Radical Imagination) & Anna Rispoli + 11 inhabitants of Milan

INTEINTERVIEWS

Laila Sit Aboha, Iman Salem

WITH THE PARTICIPATION OF

Samuel Adoma, Fabrizio Bassani, Nadia Belatik, Ale Cane, Ivan Carozzi, Yuri Simone D’Ostuni, Osasele Eromosele/Iman Salem, Simona Franzé, Federico Fumagalli, Roberto Mastroianni/Lorenzo Fidanzi, Vincenzo Pizzolante/Dario Leone, Gabriella Riccio e Anna Rispoli.

A PRODUCTION BY

Institute of Radical Imagination

PARTNERS

Base Milano, Le Alleanze dei Corpi, Landscape Choreography

Credits Incondizionatamente

UNCONDITIONALLY. Life Income Love

What would the world be like if everyone had enough money to lead a worthy life? What if everyone got a universal and unconditional basic income?

Starting from the Art for UBI (manifesto), IRI proposes discussions on the role that art and the world of cultural production should have in the struggle for financial redistribution based on mutualism, on the methods of self-management of resources, on access to the means of production. and other solidarity practices.

With performance UNCONDITIONALLY. Life Income Love, people of different backgrounds and working conditions gather in a choreographed assembly to discuss the impact that a universal and unconditional income would have on their lives. Is the RBUI a “simple” financial measure or a fundamental tool for a radical alternative to the neoliberal reality in which we live? What would it be like if income and working hours weren’t linked? If you could say no to the blackmail of precariousness? End the race and gender asymmetries so common in today’s labor market? Detoxify the planet from ecologically dangerous jobs? Caring and helping each other in the face of the endless invitation to be competitive individuals? These are some of the questions that inspire public dialogue.

On this occasion, an IRI team worked to adapt Anna Rispoli’s proposal and produce a performance that takes up these lines through a series of interviews with a group of people who live and work in Milan and who are interpreters of this representation.

Emanuele Braga
Gabriella Riccio
Anna Rispoli

Emanuele Braga is an artist, theorist and activist. Co-founder of the MACAO assembly of artists (2012), as well as of the dance company Balletto Civile (2003), of the contemporary art project Rhaze (2011), Landscape Choreography (2012), and member of the Institute of Radical Imagination. His research focuses on alternative models of cultural production, processes of social transformation in relation to digital technologies, political economy, labor rights and the institution of the commons.

Gabriella Riccio, choreographer and performer artist lives between Naples and Madrid. She founded Caosmos (2001) and ciagabriellariccio (2003). She is an activist in the movement of commons and self-governing cultural spaces, she is an “inhabitant” of L’Asilo-Ex Asilo Filangieri in Naples (2012) and co-founder member of the Institute of Radical Imagination (2018). Gabriella works at the intersection of aesthetics, ethics and politics in contemporary prefigurative practices on the border between performance, artistic creation and activism.

gabriellariccio.it

Anna Rispoli works on the border between artistic creation and activism, to explore in a performative way the triangulation between man-city-identity and to test possible affective appropriations of the public territory. The forms vary according to the conceptual needs of each project. Anna Rispoli is part of the Common Wallet, a red informal de economía solidaria that persuades a “polyamorous relationship with money”.

annarispoli.be

Milan, Piazzale Selinunte – October 1, 2021

Milan, KinLab – September 30, 2021

Uncategorised

INCONDIZIONATAMENTE Vita Reddito Amore | Performance
Italiano | English

Campo di Basket, Piazza Selinunte Milano 30 Settembre ore 18:00 a seguire il Panel L’Arte dei Commons + 1 ottobre ore 17:00 Nell’ambito di FAROUT/Festival Base & Le Alleanze dei Corpi

Basato su un’idea di Anna Rispoli
Idea Drammaturgia Regia: Emanuele Braga, Gabriella Riccio (Institute of Radical Imagination) & Anna Rispoli
Testo: Emanuele Braga, Gabriella Riccio (Institute of Radical Imagination) & Anna Rispoli + 11 abitanti di Milano
Interviste: Laila Sit Aboha, Iman Salem
Con la partecipazione di: Samuel Adoma, Fabrizio Bassani, Nadia Belatik, Al Cane, Ivan Carozzi, Yuri Simone D’Ostuni, Osasele Eromosele/iman Salem, Simona Franzé, Federico Fumagalli, Roberto Mastroianni/Lorenzo Fidanzi, Vincenzo Pizzolante/Dario Leone, Gabriella Riccio e Anna Rispoli.
Una produzione Institute of Radical Imagination
Partners: Base Milano, Alleanze dei Corpi, Landscape Choreography
INCONDIZIONATAMENTE VIta Reddito AmoreDownload

UNCONDITIONALLY. Life Income Love

Campo di Basket, Piazza Selinunte Milano, Settembre 2022
Credits Incondizionatamente

Come sarebbe il mondo se tutt* avessero sufficiente denaro per condurre una vita degna? Se tutt* ricevessero un reddito di base universale e incondizionato?

Partendo dall’Art for UBI (manifesto), l’IRI propone discussioni sul ruolo che l’arte e il mondo della produzione culturale dovrebbero avere nella lotta per la redistribuzione finanziaria basata sul mutualismo, sulle modalità di autogestione delle risorse, sull’accesso ai mezzi di produzione e altre pratiche solidali. 

Con la performance INCONDIZIONATAMENTE. Vita Reddito Amore,  persone di diversa estrazione e condizione lavorativa si riuniscono in un’assemblea coreografata per discutere dell’impatto che un reddito universale e incondizionato avrebbe sulle loro vite.  Il RBUI è una “semplice” misura finanziaria o uno strumento fondamentale per un’alternativa radicale alla realtà neoliberista in cui viviamo? Come sarebbe se guadagno e ore di lavoro non fossero legati? Se si potesse dire no al ricatto della precarietà? Porre fine alle asimmetrie di razza e genere così comuni nel mercato del lavoro di oggi? Disintossicare il pianeta da lavori ecologicamente pericolosi? Prendersi cura e aiutarsi a vicenda di fronte all’infinito invito a essere individui competitivi? Queste sono alcune delle domande che ispirano il dialogo pubblico.

In questa occasione, un team dell’IRI ha lavorato per adattare la proposta di Anna Rispoli e produrre una performance che riprende queste linee attraverso una serie di interviste ad un gruppo di persone che vivono e lavorano a Milano e che sono interpreti di questa rappresentazione.

What would the world be like if everyone had enough money to lead a worthy life? What if everyone got a universal and unconditional basic income?

Starting from the Art for UBI (manifesto), IRI proposes discussions on the role that art and the world of cultural production should have in the struggle for financial redistribution based on mutualism, on the methods of self-management of resources, on access to the means of production. and other solidarity practices.

With performance UNCONDITIONALLY. Life Income Love, people of different backgrounds and working conditions gather in a choreographed assembly to discuss the impact that a universal and unconditional income would have on their lives. Is the RBUI a “simple” financial measure or a fundamental tool for a radical alternative to the neoliberal reality in which we live? What would it be like if income and working hours weren’t linked? If you could say no to the blackmail of precariousness? End the race and gender asymmetries so common in today’s labor market? Detoxify the planet from ecologically dangerous jobs? Caring and helping each other in the face of the endless invitation to be competitive individuals? These are some of the questions that inspire public dialogue.

On this occasion, an IRI team worked to adapt Anna Rispoli’s proposal and produce a performance that takes up these lines through a series of interviews with a group of people who live and work in Milan and who are interpreters of this representation.

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Milan, Piazzale Selinunte – October 1, 2021

Milan, KinLab – September 30, 2021

On the Precipice of Time - The Zapatista Forum

UNA RENTA, MUCHOS MUNDOS | Performance

Spanish | English

Location / Lugar: Museo Reina Sofia, Jardin Edificio Sabatini Date / Fecha: September 17, 18:00 Language / Idioma: Español Access / Entradas: Free until full capacity, free tickets available from Reina Sofia Museum website (here) from September 15

the performance introduces the Art for UBI #3 | assembly at 19:00

Based on an idea by / Basado en una idea de Anna Rispoli

Concept Concepto Marco Baravalle, Elena Blesa, Emanuele Braga, Sara Buraya Boned, Gabriella Riccio, Anna Rispoli

Text / Texto Marco Baravalle, Elena Blesa, Emanuele Braga, Gabriella Riccio, Anna Rispoli and 14 citizens of Madrid and Barcelona

Direction / Dirección: Gabriella Riccio

Research & Interviews / Investigación y Entrevistas: Gabriella Riccio with the collaboration of Ana Campillos, Maite Gandulfo, Maria Mallol, Celina Poloni

With the support of / Apoyan Hablarenarte / Planta Alta

With the participation of / Con la participación de: Miguel Ángel Álvarez Tornero, Andrei Alexandru Mazga, Sara Babiker Moreno, Elena Blesa Cabéz, Amalia Caballero, José Antonio Campillos Martín-Consuegra, Constanza Cisneros, Ana Gutiérrez Borreguero, Sebastián Laina, Mar Núñez, Lucía Núñez Ortega, Gabriella Riccio, Juan Manuel Rodriguez, Hella Spinelli

A production by / Una producción de: Institute of Radical Imagination, FfAI Foundation for the Arts Activities / Museo Reina Sofia

Espanol_Una-Renta-Muchos-MundosDownload

One income, many worlds

Sabatini Gardens, Museo Reina Sofía, Madrid, September 21, 2021

Con el Manifiesto ART FOR UBI [Arte por la Renta Básica Universal] como punto de partida, el IRI viene proponiendo discusiones sobre el papel que el arte y el mundo de la producción cultural deben tener en la lucha por una redistribución financiera basada en el mutualismo, los métodos de autogestión de recursos, el acceso a los medios de producción y otras prácticas solidarias. Esta actividad comienza en el Jardín de Sabatini del Museo, con “Una renta muchos mundos” mesa redonda performativa basada en la propuesta de la artista Anna Rispoli, que trabaja regularmente temas como la remuneración, los ingresos y la RBU (renta básica universal), mezclando performance, investigación social y realizando experimentos reales sobre cómo compartir bienes y recursos financieros.

En la performance Una Renta, Muchos Mundos (One Income, Many worlds) un grupo diversificado de personas interpretará una asamblea ficticia en forma de discurso público coral donde se analiza el hipotético impacto en sus vidas de una renta universal, básica e incondicional en el contexto de la actual crisis pandémica. ¿Es la RBU una medida financiera “simple” o una herramienta fundamental para una alternativa radical a la realidad neoliberal que vivimos? ¿Qué pasa con ganar dinero no relacionado con el trabajo y las horas de trabajo? ¿Y la posibilidad de decir no al chantaje de la precariedad? ¿Qué hay de poner fin a las asimetrías de raza y género tan comunes en el mercado laboral actual? ¿Qué hay de desintoxicar el planeta de trabajos ecológicamente peligrosos? ¿Qué pasa con el cuidado y la ayuda mutua frente a la interminable invitación a ser individuos competitivos? Estas son algunas de las preguntas que inspiran el diálogo público La actuación será seguida por el panel Art For Ubi # 3 en el Museo Reina Sofía.

En esta ocasión, un equipo del IRI ha trabajado para adaptar la propuesta de Rispoli y realizar una dramaturgia que retome estas líneas a partir del diálogo con un grupo de personas que viven y trabajan en España, y que han participado en una serie de entrevistas que han dado lugar a la dramaturgia de esta performance. Esta fase de investigación, se enmarca dentro del Programa Abierto de DESVÍO una herramienta de diálogo y trabajo colectivo impulsada por hablarenarte / Planta Alta que se propone accionar y afectar nuestro contexto inmediato.

Using the ART FOR UBI [Art for Universal Basic Income] Manifesto as its starting point, IRI has been proposing discussions on the role that art and the world of cultural production should play in the fight for financial redistribution based on mutualism, methods of self-management of resources, access to the means of production and other solidarity practices. This activity begins in the Sabatini Garden of the Museum, with “One income many worlds” performative round table based on the proposal of the artist Anna Rispoli, who regularly works on topics such as remuneration, income and the UBI (universal basic income), mixing performance, social research and conducting real experiments on how to share assets and financial resources.

In the performance Una Renta, Muchos Mundos (One Income, Many worlds) a diversified group of people will perform a fictional assembly in the form of a public coral speech, where the hypothetical impact on their lives of a universal, basic and unconditional income is analyzed on the background of the current pandemic crisis. Is UBI a “simple” financial measure, or is it an essential tool for a radical alternative to the neoliberal reality we are experiencing? What about earning money unrelated to jobs and working hours? What about the possibility to say no to the blackmail of precarity? What about putting and end to race and gender asymmetries so common in today’s labor market? What about detoxing the planet from ecologically dangerous jobs? What about care and mutual aid in front of the endless invitation to be competitive individuals? These are some or the questions inspiring the public dialogue.The performance will be followed by the panel Art For Ubi #3 at the Museum Reina Sofia. 

On this occasion, an IRI team has worked to adapt Rispoli’s proposal and carry out a dramaturgy that takes up these lines from dialogue with a group of people who live and work in Spain, and who have participated in a series of interviews that have given rise to the dramaturgy of this performance. This research phase is part of the DESVÍO Open Program, a tool for dialogue and collective work promoted by hablarenarte / Planta Alta that aims to actuate and affect our immediate context.

UNA RENTA MUCHOS MUNDOS, Sabatini Gardens, Museo Reina Sofía, Madrid, September 21, 2021

Rearhsal at La Corrala, Madrid September 2021

News

EINKOMMEN. DIE BEDINGUNGSLOSE REDE | Performance
English | Deutsch

After joining the Art for UBI (manifesto) Platform in 2020, Anna Redi presented the first performance based on the Art for UBI (manifesto) for the opening of the Wiener Festwochen 2021 in collaboration with Institute of Radical Imagination. Since then the Institute of Radical Imagination & Anna Redi have realised all the following performaces based ion the Art for UBI (manifesto) in Madrid, Milan, Venice.

Concept, Direction Anna Rispoli

In collaboration with Emanuele Braga, Maddalena Fragnito, Britt Hatzius, Irena Radmanovic, Common Income, ART for UBI, Institute of Radical Imagination, Volksbegehren Grundeinkommen: Runder Tisch Grundeinkommen Österreich, Generation Grundeinkommen, Verein Das Grundeinkommen, Attac Österreich, Runder Tisch Grundeinkommen Salzburg, Netzwerk Grundeinkommen Research,

Interviews Magdalena Fischer

Text Anna Rispoli, Katja Dreyer and 15 citizens of Vienna Production management Marine Thévenet

A commission and a production by Wiener Festwochen 2021

web_WFW21_Programmbuch_Kern_210329Download

INCOME. The unconditional speech

Eröffnungsrede der Wiener Festwochen 2021

How would we organise our lives if we didn’t have to earn a living? Indeed, what would we do if our livelihood was secured? In 2021, the Wiener Festwochen will once again open with a discursive debate; artist and activist Anna Rispoli is elaborating a choral speech on unconditional basic income. It is an appeal to reflect on distributive justice, precarity and sustainability. Based on interviews with Viennese citizens and against the backdrop of a work environment thrown even more out of sync by a virus, Income. The unconditional speech sees our present-day utopia as tomorrow’s realities. How would unconditional basic income redesign our lives, our towns and cities, society, and the world as a whole? Rispoli’s interventionist art practices aim to change the public space and are founded on the principle of affective mutual contamination. When words uttered by others pass through our own mouths, a form of non-monetary exchange is able to occur. An economy like we have never seen before!

Wie würden wir unser Leben organisieren, wenn wir nicht von Erwerbstätigkeit abhängig wären? Wenn für unsere Lebenserhaltung gesorgt wäre – was würden wir tun? 2021 eröffnen die Wiener Festwochen erneut mit einer diskursiven Debatte; die Künstlerin und Aktivistin Anna Rispoli gestaltet eine chorische Rede zum bedingungslosen Grundeinkommen. Ein Appell, über Verteilungsgerechtigkeit, Prekarität und Nachhaltigkeit nachzudenken. Basierend auf Interviews mit Wiener*innen und vor dem Hintergrund einer durch ein Virus erst recht aus dem Lot geratenen Arbeitswelt begreift das leidenschaftliche Plädoyer die Utopien von heute als die Realitäten von morgen. Wie würde ein bedingungsloses Grundeinkommen das Leben neu gestalten, die Stadt, die Gesellschaft, die ganze Welt? Rispolis interventionistische Kunstpraktiken zielen auf Veränderung des öffentlichen Raums und fußen auf dem Prinzip der gegenseitigen affektiven Ansteckung. Wenn die Worte anderer durch den eigenen Mund wandern, kann eine Form von nichtmonetärem Austausch geschehen. Eine Ökonomie wie noch nie!

Art for UBI (Manifesto)
Art for UBI

ART FOR UBI (Manifesto) #2 | Open online Assembly
Online Assembly ART for UBI (Manifesto) N°2 on Thursday, December 17th at 18:30 CET. With Ilenia Caleo, Dena Beard, Julio Linares, Anna Rispoli, Emanuele Braga, Marco Baravalle. The School of Mutation within the framework of the iteration Art for UBI.  Join us on Zoom https://us02web.zoom.us/j/87252121414 Meeting ID: 872 5212 1414

We continue our collective debate towards the drafting of the ARTS FOR UBI Manifesto. In this session we will address the mobilizations of art workers in Italy during the pandemic. We will analyze the experimental basic income for artists implemented by the city of San Francisco. We will talk about basic incomes models on blockchain and about art as a possible field of experimentation of alternative economic models

Art for UBI (manifesto) online assembly #2 December, 2nd 2020
PARTICIPANTS TO THE ASSEMBLY

Emanuele Braga (Macao – ITA) Emanuele is an activist and artist, member of Macao, center for art and research in Milano (IT). His intervention will describe the self organized Basic Income redistribution within the community of Macao in the last 5 years. http://www.macaomilano.org/IMG/pdf/3_-_commoncoin_basic_income.pdf?1498/0c7e90052d75f199cb712e014f1f8100f3113c3e

Marco Baravallle (S.a.L.E. Docks – ITA) http://www.saledocks.org/ Marco is a member of S.a.L.E. Doks, a self-managed art space in Venice. His intervention will focus on the importance of UBI and dis-identification in the organization of art and culture living labor.

Gabriella Riccio (L’Asilo – ITA) is an artist, activist and researcher, member of L’Asilo, art & culture common in Naples IT. L’Asilo elaborated on UBI within the framework of The commons as ecosystems for culture on EU scale.

Ilenia Caleo: Performer and researcher in queer studies and feminist epistemologies at the IUAV University of Venice. She is among the co-founders of Campo Innocente, a network founded after the pandemic outbreak to defend art workers rights and to promote UBI. (https://ilcampoinnocente.blogspot.com/)

Dena Beard: Executive Director of The Lab in San Francisco. She received her M.A. in Art History, Theory, and Criticism from the School of the Art Institute of Chicago and was previously Assistant Curator at the Berkeley Art Museum and Pacific Film Archive.

Julio Linares: researcher at Circles, a blockchain based basic income made to promote local economies. https://joincircles.net/

Anna Rispoli: (Common Wallet) Common Wallet is a community based practice in Brussels created by artists. They are socializing their personal income basing the access to liquidity on mutual aid principles.

Giuseppe Micciarelli (L’Asilo – ITA) jurist and political philosopher. PhD in Public Law, Theory of National and European Institutions and Legal Philosophy at the University of Salerno, Italy. He is member of Laboratorio filosofico-giuridico e filosofico-politico ‘Hans Kelsen and editor of Soft Power, Euro-American Journal of Historical and Theoretical Studies of Politics. L’Asilo elaborated on UBI within the framework of The commons as ecosystems for culture on EU scale.