Category: News

Taring Padi: People’s Liberation

Collective Banners 2023 – 2026
Exhibition

Sale Docks, Dorsoduro 265, 30123, Venezia.

Opening: Sunday, May 3, 7:00 – 9:00 pm, free entrance.

Exhibition: 3 May – 31 July 2026

Opening hours: Thursday to Sunday
11:30 am – 2:00 pm
3:30 pm – 6:00 pm

Artist Talk: Taring Padi in conversation with Sale Docks and the Institute of Radical Imagination: May 7, 15.00 pm.

People’s Liberation is an exhibition of a series of large scale banners  that were created for political education, propaganda, and mobilisation. Apart from woodcut posters and cardboard puppets, banner is one of three mediums and artistic practices that Indonesian collective of art workers Taring Padi has been utilising as a political tool  since 1998. 

Following the dismantling of People’s Justice banner in Documenta 15 on 21 June 2022, Taring Padi reclaimed the condemned banner and transformed it into a platform to agitate, educate and organise. Between 2023 and 2026, Taring Padi developed a new series of People’s Justice banners, produced largely through collaboration with progressive organisations, collectives and individuals across four continents. With one exception, all works in this series are painted on canvas, with dimensions ranging from 450×450 cm to 1200×600 cm. Collectively, the series manifests a continuation of the original banner’s function, returning from a contested exhibition object into an itinerant, street protest property and collaborative instrument of resistance.

Five banners from the People’s Justice series will be on display at the People’s Liberation exhibition at Sale Dock, Venice from 3 May to 31 July 2026:

  1. People’s Justice series no. 2, entitled in Portuguese Retomar Nossa Terra (Reclaimed Our Land, acrylic on canvas, 450×450 cm) is the first from this iteration. Created in April 2023 and in collaboration with Framer Framed Amsterdam based exhibition space,Casa do Povo, progressive Jewish collective, Landless Workers’ Movement/MST and Tricontinental institute in Sao Paolo, the banner describes the popular movement against extractivist capitalism in Brazil.

  1. People’s Justice series no. 5 entitled in Javanese Kendeng Lestari, Nyawiji Kanggo Ibu Bumi (Everlasting Kendeng: Being One with Mother Earth, acrylic on canvas, 450×450 cm) created in the end of 2023 in Taring Padi’s studio in Yogyakarta Indonesia. The banner is the culmination of the collective decades-long struggle with the Kendeng community in Central Java in the fight against the development of a cement factory in their area. The banner is accompanied by 24 rontek (small banners) and 10 panji (pennants). The rontek is made by individual members of Taring Padi addressing various issues from the struggle. The Panji inscribed mantras, prayers and songs of the Kendeng community. 

  1. People’s Justice series no. 7 entitled in Arabic  عدالة الشعب (People’s Justice, acrylic on canvas, 450×450 cm). The production of the banner started in Brussel, Belgium in January, continued in Brisbane, Australia in March and finalised in Taring Padi’s studio in Yogyakarta, Indonesia in June 2024. Narrating the struggle, hope and international solidarity of Palestinian people, the banner was collectively produced by The Kitchen, Globe Aroma, Subversive Film, The Question of Funding and Learning Palestine.

  1. People’s Justice series no. 8 carries two titles: Narbiny nguluk nidja doorntj baarniny, moorditj dooytj-doornt (Care together, strong together), an expression in Noongar of resistance grounded in unity and compassion; and Rakyat Bersatu tak bisa dikalahkan (The People united cannot be defeated), an Indonesian protest slogan that resonates with global social justice movements. It differs both in shape and size (505.5 x 691.8 cm) from the other banners in the series and is executed charcoal and acrylic on canvas.  The banner was created in Perth, Australia in November 2024 and it was the collective first time collaboration with individuals(rather than collectives) of aborigin artists from Western Australia: Sharyn Egan (Noongar), Yabini Kickett (Ballardong, Whadjuk), Ilona McGuire (Whadjuk, Ballardong, Yuat, Kungarakan) and Tyrown Waigana (Wardandi Noongar, Ait Koedhal)

  1. People’s Justice series no. 9 entitled People’s Liberation (acrylic on canvas, 450×450 cm) is the latest edition and in collaboration with Institute of Radical Imagination in which Taring Padi is also a member. The production of the banner started in Yogyakarta in February 2026 and will be unveiled for the first time in the opening of the exhibition that bears the same title in May.

The exhibition will also present a documentation of People’s Justice series no. 1: People’s Justice (acrylic on canvas, 1200 x 800 cm) which was created in Taring Padi’s squatted space in Yogyakarta in 2002. 

As an addition, Taring Padi will also exhibit banner entitled Basta Schiavitu (Stop Slavery, acrylic on canvas 300×400 cm) that was produced in Rome in September 2025  with the assistance of  Confederazione Generale Italiana del Lavoro (CGIL Italian General Confederation of Labour) and facilitated by Cantadora gallery. The banner visualises the struggle of Sikh migrant workers in the agriculture sector around Rome.

People’s Liberation banner (People’s Justice series no. 9) carries the slogan “Abolish Fascism, Organize Autonomy.” The slogan is not an empty rallying cry, but emerged from collaboration between the Institute of Radical Imagination and Sale Docks.

Sale Docks is an activist art space in Venice. Founded through an occupation in 2007, it represents a genuinely autonomous artistic space in a city increasingly dominated by private foundations backed by global billionaires and shaped by the presence of the Venice Biennale. As a collective, Sale Docks is engaged on multiple fronts: advocating for the rights of cultural workers and fostering artistic internationalism. Sale Docks actively participate in Art Not Genocide Alliance (ANGA), a solidarity campaign with Palestine that calls for a boycott of the 2026 Venice Biennale in response to its decision to host the Israeli Pavilion.

The Institute of Radical Imagination, for its part, is a transnational collective of art workers, with members from Southern Europe, Indonesia, and Palestine. The Institute’s practice operates at the intersection of art and the commons, grounded in a shared political commitment that is antifascist, transfeminist, decolonial, and antispeciesist.

Additionally, Taring Padi’s present in Venice will include the  creation of a new large-scale mural on the exterior walls of Laboratorio Occupato Morion, a key space for the city’s social movements. Work on the mural will begin in  early April 2026.

The People’s Liberation exhibition is produced by Sale Docks, the Institute of Radical Imagination, and Collective of Art Workers Taring Padi, with the solidarity supports and collaborations from Movimento dos Trabalhadores Rurais Sem Terra, Casa do Povo, Tricontinental Institute, Framer Framed, Jaringan Masyarakat Peduli Pegunungan Kendeng, The Kitchen, Globe Aroma, Subversive Film, The Question of Funding, Learning Palestine, The Art Gallery of Western Australia, Cantadora, ProppaNOW, Milani Gallery, Manifesto Press. 

IRI Statement | Strike Everywhere

🇬🇧 English

Institute of Radical Imagination — Statement

The Institute of Radical Imagination joins the transnational mobilization against the genocide of the Palestinian people and against the war economy that fuels violence, censorship, and repression in Europe and beyond. We firmly affirm that art, research, and collective imagination must stand on the side of life and liberation, against all forms of colonialism and supremacism.

IRI’s local nodes are active in promoting protests and road, railway, and naval blockades in Italy, Spain, Portugal, Greece, Catalonia, and Indonesia. As the land crew of the Flotilla, we will mobilize to sever any complicity of our governments with Israel’s fascist policies: the Italian, Spanish, Portuguese, and Turkish governments allowed Israel to violate international law, acting as pirates at sea in the seizure of the GLOBAL SUMUD FLOTILLA mission. We denounce these acts and demand full accountability.

We call on artists, researchers, cultural workers, students, and social movements across Europe to join demonstrations and strikes in their territories. The social strike in our territories will be massive and unstoppable. International law is not negotiable.


🇮🇹 Italiano

Institute of Radical Imagination — Dichiarazione

L’Institute of Radical Imagination si unisce alla mobilitazione transnazionale contro il genocidio del popolo palestinese e contro l’economia di guerra che alimenta violenza, censura e repressione in Europa e oltre. Affermiamo con forza che arte, ricerca e immaginazione collettiva devono schierarsi dalla parte della vita e della liberazione, contro ogni forma di colonialismo e suprematismo.

I nodi locali di IRI sono attivi nel promuovere proteste e blocchi stradali, ferroviari e navali in Italia, Spagna, Portogallo, Grecia, Catalogna e Indonesia. In quanto equipaggio di terra della Flotilla, ci mobiliteremo per recidere ogni complicità dei nostri governi con la politica fascista di Israele: i governi italiano, spagnolo, portoghese e turco hanno permesso che Israele violasse il diritto internazionale, agendo come pirati in mare nel sequestro della missione GLOBAL SUMUD FLOTILLA. Denunciamo questi fatti e chiediamo piena responsabilità.

Chiamiamo artiste, ricercatrici, lavoratrici culturali, studenti e movimenti sociali in tutta Europa a unirsi alle manifestazioni e agli scioperi nei propri territori. Lo sciopero sociale nei nostri territori sarà enorme e inarrestabile. Il diritto internazionale non è negoziabile.

🇪🇸 Español

Institute of Radical Imagination — Declaración

El Institute of Radical Imagination se une a la movilización transnacional contra el genocidio del pueblo palestino y contra la economía de guerra que alimenta violencia, censura y represión en Europa y más allá. Afirmamos con fuerza que el arte, la investigación y la imaginación colectiva deben situarse del lado de la vida y de la liberación, contra toda forma de colonialismo y supremacismo.

Los nodos locales de IRI están activos en la promoción de marchas y bloqueos coordinados de carreteras, ferrocarriles y puertos en Italia, España, Portugal, Grecia, Cataluña e Indonesia. Como tripulación terrestre de la Flotilla, nos movilizaremos para cortar toda complicidad de nuestros gobiernos con la política fascista de Israel: los gobiernos de Italia, España y Turquía han permitido que Israel viole el derecho internacional, actuando como piratas en el mar en el secuestro de la misión GLOBAL SUMUD FLOTILLA. Denunciamos estos hechos y exigimos plena responsabilidad.

Llamamos a artistas, investigadores, trabajadoras culturales, estudiantes y movimientos sociales en toda Europa a unirse a las manifestaciones y huelgas en sus territorios. La huelga social en nuestros territorios será enorme e imparable. El derecho internacional no es negociable.


🇵🇹 Português

Institute of Radical Imagination — Declaração

O Institute of Radical Imagination junta-se à mobilização transnacional contra o genocídio do povo palestino e contra a economia de guerra que alimenta violência, censura e repressão na Europa e além. Afirmamos com firmeza que a arte, a pesquisa e a imaginação coletiva devem posicionar-se ao lado da vida e da libertação, contra todas as formas de colonialismo e supremacia.

Os nós locais do IRI apoiam  a promoção de protestos em  Itália, Espanha, Portugal, Grécia, Catalunha e Indonésia. Como tripulação terrestre da Flotilla, mobilizar-nos-emos para cortar qualquer cumplicidade dos nossos governos com a política fascista de Israel: os governos italiano, espanhol, português e turco permitiram que Israel violasse o direito internacional, atuando como piratas no mar ao sequestrar a missão GLOBAL SUMUD FLOTILLA. Denunciamos esses factos e exigimos total responsabilização.

Convidamos artistas, pesquisadoras, trabalhadoras culturais, estudantes e movimentos sociais em toda a Europa a juntarem-se às manifestações e greves nos seus territórios. A greve social em nossos territórios será enorme e imparável. O direito internacional não é negociável.


🇮🇩 Bahasa Indonesia

Institute of Radical Imagination — Pernyataan

Institute of Radical Imagination bergabung dalam mobilisasi transnasional melawan genosida terhadap rakyat Palestina dan melawan ekonomi perang yang memicu kekerasan, sensor, dan represi di Eropa dan di luar sana. Kami dengan tegas menegaskan bahwa seni, penelitian, dan imajinasi kolektif harus berpihak pada kehidupan dan pembebasan, menentang segala bentuk kolonialisme dan supremasi.

Node lokal IRI aktif mempromosikan pawai dan blokade terkoordinasi di jalan, kereta api, dan pelabuhan di Italia, Spanyol, Portugal, Yunani, Catalonia, dan Indonesia. Sebagai kru darat Flotilla, kami akan bergerak untuk memutuskan segala bentuk keterlibatan pemerintah kami dengan kebijakan fasis Israel: pemerintah Italia, Spanyol, dan Turki telah membiarkan Israel melanggar hukum internasional, bertindak seperti perompak di laut dalam penyitaan misi GLOBAL SUMUD FLOTILLA. Kami mengecam tindakan ini dan menuntut akuntabilitas penuh.

Kami menyerukan kepada seniman, peneliti, pekerja budaya, mahasiswa, dan gerakan sosial di seluruh Eropa untuk bergabung dalam demonstrasi dan pemogokan di wilayah masing-masing. Pemogokan sosial di wilayah kami akan besar dan tak terbendung. Hukum internasional tidak dapat dinegosiasikan.


🇬🇷 Ελληνικά

Institute of Radical Imagination — Δήλωση Διαμαρτυρίας 

Το Institute of Radical Imagination ενώνεται με την διεθνή κινητοποίηση ενάντια στη γενοκτονία του παλαιστινιακού λαού και ενάντια στην πολεμική οικονομία που τροφοδοτεί τη βία, τη λογοκρισία και την καταστολή στην Ευρώπη και πέρα από αυτήν. Δηλώνουμε με σθένος ότι η τέχνη, η έρευνα και η συλλογική φαντασία πρέπει να σταθούν στο πλευρό της ζωής και της απελευθέρωσης, ενάντια σε κάθε μορφή αποικιοκρατίας και υπεροχής.

Οι τοπικοί κόμβοι του IRI δραστηριοποιούνται στην προώθηση συντονισμένων πορειών και οδικών, σιδηροδρομικών και ναυτικών αποκλεισμών στην Ιταλία, την Ισπανία, την Πορτογαλία, την Ελλάδα, την Καταλονία και την Ινδονησία. Ως η ομάδα εδάφους της Φλοτίλλας, θα κινητοποιηθούμε για να διακόψουμε κάθε συνενοχή των κυβερνήσεών μας με τις φασιστικές πολιτικές του Ισραήλ: οι κυβερνήσεις της Ιταλίας, της Ισπανίας και της Τουρκίας επέτρεψαν στο Ισραήλ να παραβιάσει το διεθνές δίκαιο, ενεργώντας ως πειρατές στη θάλασσα κατά την κατάληψη της αποστολής της GLOBAL SUMUD FLOTILLA. Καταγγέλλουμε αυτές τις πράξεις και απαιτούμε πλήρη λογοδοσία.

Καλούμε καλλιτέχνες, ερευνητές, εργαζόμενους στον πολιτισμό, φοιτητές και κοινωνικά κινήματα σε όλη την Ευρώπη να συμμετάσχουν σε διαδηλώσεις και απεργίες στις περιοχές τους. Η κοινωνική απεργία στους τόπους μας θα είναι τεράστια και ασταμάτητη. Το διεθνές δίκαιο δεν είναι διαπραγματεύσιμο.

The Institute of Radical Imagination supports the CSA Tabacalera in Madrid

There are no cultural rights without the right to the city and the territory. Like the Zapatistas, we consider territory to be ways of life. We urge the Ministry of Culture of the Government of Spain to preserve the future of this project; there is no cultural industry more worthy than popular culture and people’s access to a territory they can consider their own. More solidarity economy and less market.

We encourage you all to support this campaign:
https://secure.avaaz.org/community_petitions/es/ministerio_de_cultura_de_espana_tabacalera_vuelve



	

RED GREEN, BLACK AND WHITE | Performance

English | Croatian | Italian

RED GREEN, BLACK AND WHITE

a performative inquiry by Institut of Radical Imagination and MSU Zagreb in the framework of L’internationale EU project Museum of the Commons

MZU Zagreb, Sunday January 21st 2024 at 4pm

idea, dramaturgy, direction : Emanuele Braga, Gabriella Riccio  (Institute of Radical Imagination) & Anna Rispoli

based on an concept by Anna Rispoli

interviews, text : Emanuele Braga, Gabriella Riccio, Marco Baravalle (Institute of Radical Imagination) & Anna Rispoli + 13 inhabitants of Zagreb 

with the participation of : Hrvoje Laurenta, Farzaneh Sourighiasvand, Marko Pogačar, Leonarda Šmigmator, Matko Radić, Luka Tomac, Hana Matović, Azra Svedružić, Mirjana Vidaković, Hana Sirovica, Jelena Androić, Ana Škegro, Petra Matić, Emanuele Braga, Gabriella Riccio, Anna Rispoli and Inicijativa za slobodnu Palestinu / Free Palestine Initiative Croatia

Production Institute of Radical Imagination

Co-production MSU Zagreb

Duration: ca. 60’

Language: Croatian

Date: Sunday 21tst Jan at 4pm


Koncept, dramaturgija, režija: Emanuele Braga, Gabriella Riccio (Institut za radikalnu imaginaciju) i Anna Rispoli

Bazirano na ideji Anne Rispoli

Intervjui i tekst: Emanuele Braga, Gabriella Riccio, Marco Baravalle (Institut za radikalnu imaginaciju) i Anna Rispoli uz 13 građana Zagreba

Sudjeluju: Hrvoje Laurenta, Farzaneh Sourighiasvand, Marko Pogačar, Leonarda Šmigmator, Matko Radić, Luka Tomac, Hana Matović, Azra Svedružić, Mirjana Vidaković, Hana Sirovica, Jelena Androić, Ana Škegro, Petra Matić, Emanuele Braga, Gabriella Riccio, Anna Rispoli i Inicijativa za slobodnu Palestinu

Produkcija: Institut za radikalnu imaginaciju (Institute of Radical Imagination)

Koprodukcija: MSU Zagreb

Trajanje izvedbe: 60’

Tekst: hrvatski

based in Art for Radical Ecologies Manifesto

RED GREEN, BLACK & WHITE. Fifth of a series of performed militant inquiries Red Green, Black and White is based on the interviews of 13 citizens and activists for social and climate justice. Zooming dizzily between the urban dimension of Zagreb and the global geo-political one, the work finds the words to touch on the hot spots of ethical, ecological and political responsibility today. Because it is no longer possible to remain silent without becoming complicit.

temelji se na Manifest Umjetnosti za radikalne ekologije

CVRENO ZELENO, CRNO I BIJELO. Peto u nizu provedenih aktivističkih istraživanja Instituta za radikalnu imaginaciju, „Crveno, zeleno, crno i bijelo“ temelji se na intervjuima trinaest građana i aktivista za društvenu i klimatsku pravdu. Intenzivno se fokusirajući kako na urbani Zagreb, tako i na širi kontekst globalne geopolitike, rad pronalazi riječi kojima dotiče žarišta etičke, ekološke i političke odgovornosti danas. Jer svaka daljnja šutnja postaje suučesništvo. Ovaj program dio je projekta Museum of the Commons, u sklopu Internacionale, saveza 14 europskih muzeja i drugih kulturnih institucija za suvremenu umjetnost, a održat će se u nedjelju, 21. siječnja s početkom u 16 sati u predvorju MSU-a.

basato su Art for Radical Ecologies Manifesto

ROSSO VERDE, BIANCO & NERO. Quinto di una serie di inchieste militanti Red Green, Black and White si basa sulle interviste di 13 cittadini e attivisti per la giustizia sociale e climatica. Zoomando vertiginosamente tra la dimensione urbana di Zagabria e quella geopolitica globale, il lavoro trova le parole per toccare i punti caldi della responsabilità etica, ecologica e politica oggi. Perché non è più possibile tacere senza diventare complici.

Photos courtesy of Gabriella Riccio, Emanuele Braga, Marija Tereza Murina 

BIENNALOCENE

Can art be political prefiguration?

Biennalocene is an assembly of art workers from Venice. It was born in May 2023 from a performative investigation by Sale Docks and Institute of Radical Imagination. . The assembly stands as a place of self-organization and mobilization against the precarious and exploitative conditions that characterize the arts sector in our city. Over the course of several assemblies from June to October 2023, hundreds of workers collectively wrote the METROPOLITAN CHARTER OF CULTURAL WORK. Its uniqueness (in a sector where precarization is favored by fragmentation and individualization) is that it was born out of a cross-cutting confrontation (facilitated by Sale Docks, Institute of Radical Imagination, ADL Cobas, and Mi Riconosci?), with the intention of affirming the rights of workers who are diverse in terms of tasks, contractualization, and professional aspirations: cultural mediators, cleaners, artists, performers, curators, museum guards, freelancers and waged workers. Our campaign aims to get as many of the city’s cultural institutions (museums, foundations, cooperatives, and businesses) to adopt the Charter, taking a decisive step forward on the terrain of labor rights in the arts and culture sector. Biennalocene is the era when workers’ rights transform our city!

Biennalocene è un’assemblea di lavoratorə dell’arte e della cultura di Venezia. È nata nel maggio 2023 da una performance-inchiesta di Sale Docks e dell’Institute of Radical Imagination. L’assemblea si pone come luogo di auto-organizzazione e di mobilitazione contro le condizioni di precarietà e sfruttamento che caratterizzano il settore artistico nella nostra città. Nel corso di diverse assemblee, da giugno ad ottobre 2023, centinaia di lavroatorə hanno scritto collettivamente la CARTA METROPOLITANA DEL LAVORO CULTURALE. La sua particolarità (in un settore in cui la precarizzazione è favoritadalla frammentazione e dall’individualizzazione) è quella di essere nata da un confronto trasversale (facilitato da Sale Docks, Institute of Radical ImaginationADL Cobas e Mi Riconosci?), con l’intento di affermare i diritti di lavoratorə diversə per mansioni, contrattualizzazione e aspirazioni professionali: mediatorə culturali, addettə alle pulizie, artistə, performer, curatorə, guardasala, lavoratorə dipendenti o autonomə. La nostra campagna punta a far sì che il maggior numero si istituzioni culturali cittadine: musei, fondazioni, cooperative e imprese adottino la Carta, facendo un passo avanti decisivo sul terreno dei diritti del lavoro nel settore artistico e culturale. Biennalocene è l’era in cui i diritti dei lavoratorə trasformano la nostra città!

METROPOLITAN CHARTER OF CULTURAL WORK // CARTA METROPOLITANA DEL LAVORO CULTURALE

Adopt the Chart / Adotta la Carta 👉 BIENNALOCENE.COM

ASSEMBLEA BIENNALOCENE Atto V – PRESIDIO

PRESIDIO BIENNALOCENE

Appello a tutte le lavoratrici e i lavoratori dell’arte di Venezia.

Sabato 28 ottobre, contestualmente all’apertura dei cancelli dei Giardini della XVIII Biennale Architettura di Venezia, durante un sit in verrà presentata pubblicamente la Carta Metropolitana del lavoro culturale: la prima tappa di un percorso chiamato Biennalocene, assemblea che unisce lavoratrici e lavoratori dell’arte e della cultura e studenti, nata a giugno su impulso di Sale Docks, Institute of Radical Imagination, Mi Riconosci e ADL Cobas.
Presenteremo la Carta davanti ai cancelli di Biennale perché l’ecosistema di padiglioni ed eventi collaterali che essa genera, presenta molti dei problemi che abbiamo riscontrato: l’adozione di contratti che prevedono paghe da 5-6 euro lordi orari (come il Multiservizi), ritmi di lavoro incessanti e vessazioni di vario genere. Sabato 28 ottobre inviteremo la Biennale ad incontrarci per discutere dell’adozione della Carta e le chiederemo, da subito, di farsi carico di questi abusi, di prendere provvedimenti affinché le condizioni lavorative dei suoi dipendenti vengano estese a tutte le lavoratrici e lavoratori di partecipazioni nazionali, padiglioni esterni ed eventi collaterali marchiati Biennale.
Ecco alcune delle richieste contenute nella Carta che verrà resa pubblica il 28.

  • Salario minimo a 10 € l’ora
  • Contratto Federculture
  • Stage retribuiti
  • No alle false partite IVA
  • …e molto altro ancora!

Ti aspettiamo, sabato 28 ottobre, alle 9, ai Giardini!

BIENNALOCENE DEMOSTRATION

Call to all art workers of Venice.

On Saturday 28 October, at the same time as the opening of the gates of the Gardens of the XVIII Venice Architecture Biennale, the Metropolitan Charter of cultural work will be publicly presented during a sit-in: the first stage of a journey called Biennalocene, an assembly that unites workers from the art and culture and students, born in June on the initiative of Sale Docks, Institute of Radical Imagination, Mi Rittici and ADL Cobas.
We will present the Charter in front of the gates of the Biennale because the ecosystem of pavilions and collateral events that it generates presents many of the problems that we have encountered: the adoption of contracts that provide wages of 5-6 euros gross per hour (such as Multiservices), incessant work rhythms and harassment of various kinds. On Saturday 28 October we will invite the Biennale to meet to discuss the adoption of the Charter and we will ask it, immediately, to take charge of these abuses, to take measures to ensure that the working conditions of its employees are extended to all workers of national participations , external pavilions and collateral events branded Biennale.
Here are some of the requests contained in the Charter which will be made public on the 28th.

  • Minimum wage of €10 per hour
  • Federculture contract
  • Paid internships
  • No to false VAT numbers
  • …and much more!

We’ll be waiting for you on Saturday 28 October, at 9am, at the Giardini!

ASSEMBLEA DI BIENNALOCENE Atto IV

Sale Docks, Mi Riconosci?, Institute of Radical Imagination e ADL Cobas

Quartaassemblea pubblica di #BIENNALOCENE

🗓09/10/23
🕦19:30
📍Sale Docks, Dorsoduro 265, Venezia

Obiettivo: verso una presentazione pubblica della Carta metropolitana del lavoro culturale.

Sale Docks @saledocks con @miriconosci.beniculturali@adl_cobas e @instituteofradicalimagination_

Tutt* sono benvenut*

Sale Docks, Mi Riconosci?, Institute of Radical Imagination & ADL Cobas

Fourth public assembly of #BIENNALOCENE

🗓09/10/23
🕦19:30
📍Sale Docks, Dorsoduro 265, Venice

Goal: towards a public presentation of the Metropolitan Charter of Cultural Work.

Sale Docks @saledocks con @miriconosci.beniculturali@adl_cobas e @instituteofradicalimagination_

All are welcome

ART FOR RADICAL ECOLOGIES (MANIFESTO) ASSEMBLY #3 | WCCJ 2023

ENGLISH

Institute of Radical Imagination participates in the framework of the World Congress for Climate Justice, Milan 12-15 October 2023. Conceived as a First International aimed at opening up a space of discussion between explicitly anti-capitalist climate movements, activists and intellectuals from all over the planet, with the ambition of defining a common agenda and ideological perspective in the shared transnational space of the ecosocial struggles of the present.

With 200+ delegates and 60+ movement.

📍State University of Milan, via Festa del Perdono 7, Cloister Legnaia (Aula EcoLab)
🗓 12 October 2023
🕦 H 14:30 – 16:00

Participants a.o.

Institute of Radical Imagination (Marco Baravalle, Emanuele Braga, Sara Buraya, Maddalena Fragnito, Gabriella Riccio, Federica Timeto), The Yes Men (Mike Bonanno) and Barbie Liberation Organization, Andreco Climate Art Project, Ashley Dawson, Terike Haapoja, Andrea Natella, Noura Tafeche, Serpica Naro, Dirty Art Department (Jerszy Seymour, Theo Dietz e Rosa Meulenbeld), Effimera (Giorgio Griziotti), Tiziana Terranova, and the contribution in remote by Arts for the Commons A4C (Rosa Jijón and Francesco Martone) and Laboratory of Insurrectionary Imagination (Isabelle Fremeaux & Jay Jordan)

The Milano World Congress for Climate Justice is the opportunity to bring together art and performing arts workers to continue a discussion that will lead to the collective writing of a manifesto on the role of art in the struggle for climate justice and in the creation of new ecologies (which take into account the intersection of environmental and social facts). If the pandemic had already dramatically underlined the consequences of extractivist anthropization, the war in Ukraine (in addition to its immediate death toll) is a manifestation of what Andreas Malm has called ‘fossil fascism’, a mix of authoritarianism and fossil fuels that weakens the already insufficient measures to combat global warming. The scarcity of Russian gas has brought coal back into vogue and, in Italy, the construction of new re-gasifiers is on the agenda. The decision to organize the workshop at the World Congress for Climate Justice 2023 reflects our belief in the importance of freeing art from the capture of institutional circuits. We want to experience, as participants in social movements, aesthetic-political concatenations that interpret creativity as a radical character of the social and not as a commodity. The participants also share the conviction that the fight for climate justice is, necessarily, a fight against and beyond extractive capitalism, even in its green version (actually an attempt to turn the crisis into new accumulation). The workshop will involve discussion and co-creation starting from the practices of the invited guests around certain central themes: the use of art as a method of inquiry and visualization in the climate crisis; the production of activist art forms that look at the performativity of direct action; art as a ground for radical imagination in designing new ecologies that reshape the relationship between human and non-human; art as an archive of movement practices, and so on.

FOLLOW

ITALIANO

Institute of Radical Imagination partecipa al Congresso Mondiale per la Giustizia Climatica, Milano 12-15 Ottobre 2023. Concepito come una Prima Internazionale volta ad aprire uno spazio di discussione tra movimenti climatici, attivisti e intellettuali esplicitamente anticapitalisti di tutto il pianeta, con l’ambizione di definire un’agenda comune e una prospettiva ideologica nello spazio transnazionale condiviso delle lotte ecosociali del presente.

Con oltre 200 delegati e oltre 60 movimenti.

📍 Università Statale di Milano, via Festa del Perdono 7, Chiostro Legnaia (Aula EcoLab)
🗓 12 Ottobre 2023
🕦 H 14:30 – 1&:00

Partecipano tra *l* altr*

Institute of Radical Imagination (Marco Baravalle, Emanuele Braga, Sara Buraya, Maddalena Fragnito, Gabriella Riccio, Federica Timeto), The Yes Men (Mike Bonanno) and Barbie Liberation Organization, Andreco Climate Art Project, Ashley Dawson, Terike Haapoja, Andrea Natella, Noura Tafeche, Serpica Naro, Dirty Art Department (Jerszy Seymour, Theo Dietz e Rosa Meulenbeld), Effimera (Giorgio Griziotti), Tiziana Terranova, and the contribution in remote by Arts for the Commons A4C (Rosa Jijón and Francesco Martone) and Laboratory of Insurrectionary Imagination (Isabelle Fremeaux & Jay Jordan)

Il World Congress for Climate Justice di Milano è l’occasione per riunire i lavoratori dell’arte e dello spettacolo per continuare una discussione che porterà alla stesura collettiva di un manifesto sul ruolo dell’arte nella lotta per la giustizia climatica e nella creazione di nuove ecologie (che tengono conto dell’intersezione tra fatti ambientali e sociali). Se la pandemia aveva già sottolineato drammaticamente le conseguenze dell’antropizzazione estrattivista, la guerra in Ucraina (oltre al suo immediato bilancio di vittime) è una manifestazione di quello che Andreas Malm ha chiamato “fascismo fossile”, un mix di autoritarismo e combustibili fossili che indebolisce il sistema misure già insufficienti per combattere il riscaldamento globale. La scarsità del gas russo ha riportato in auge il carbone e, in Italia, è all’ordine del giorno la costruzione di nuovi rigassificatori. La decisione di organizzare il workshop al Congresso Mondiale per la Giustizia Climatica 2023 riflette la nostra convinzione nell’importanza di liberare l’arte dalla cattura dei circuiti istituzionali. Vogliamo sperimentare, come partecipanti ai movimenti sociali, concatenazioni estetico-politiche che interpretino la creatività come carattere radicale del sociale e non come merce. I partecipanti condividono anche la convinzione che la lotta per la giustizia climatica sia, necessariamente, una lotta contro e oltre il capitalismo estrattivo, anche nella sua versione verde (in realtà un tentativo di trasformare la crisi in nuova accumulazione). Il workshop prevederà discussioni e co-creazione a partire dalle pratiche degli ospiti invitati attorno ad alcuni temi centrali: l’uso dell’arte come metodo di indagine e visualizzazione nella crisi climatica; la produzione di forme d’arte attiviste che guardano alla performatività dell’azione diretta; l’arte come terreno per l’immaginazione radicale nella progettazione di nuove ecologie che rimodellano la relazione tra umano e non umano; l’arte come archivio di pratiche di movimento, e così via.

SEGUE

MIKE BONANNO THE YES MEN TALK | WCCJ 2023

ENGLISH

In the framework of the World Congress for Climate Justice, Milan 2023

📍 State University of Milan, via Festa del Perdono 7, Cloister Legnaia (Aula EcoLab)
🗓 12 October 2023
🕦 H 16:00 – 16:30

MIKE BONANNO (THE YES MEN) | Talk

“After 10,000 years of a stable climate, the earth has entered a period of great instability,” says Vamos. “Because of this, students today will likely face environmental and social problems at a scale and complexity that civilization has yet to witness. It is for this reason that my focus as an educator and a communicator has been to help prepare them to proactively work towards solving these emergent problems, both through applied multi-disciplinary projects that treat the symptoms, and by civic engagement intended to address the root causes.”

About IGOR VAMOS

Igor Vamos is a member of The Yes Men using the alias Michael “Mike” Bonanno, and an associate professor of media arts at Rensselaer Polytechnic Institut. Vamos is also well-known for his collaborative public art projects such as the Barbie Liberation Organization and the Center For Land Use Interpretation, a non-profit organization dedicated to the increase and dissemination of knowledge about the nature of human interaction with the Earth.

THE YES MEN

“Invite us to corrupt your students!”. The Yes Men is performance-activist duo that impersonates captains of industry and surprise unsuspecting business audiences with satirical, poignant actions that comment upon pressing social and environmental issues.

BARBIE LIBERATION ORGANISATION

“We are the Barbie Liberation Organization (B.L.O.), an underground network of creative activists. We challenge malign societal norms and spark conversations that resonate beyond the ordinary. Creativity is our weapon of choice. Through acts of cultural insurgency, we aim to liberate minds and provoke thought. Our covert operations are carefully crafted to disrupt the status quo and inspire others to question the constructs that confine them.”

CENTER FOR LAND USE INTERPRETATION

Dedicated to the increase and diffusion of knowledge about how the nation’s lands are apportioned, utilized, and perceived. The CLUI exists to stimulate discussion, thought, and general interest in the contemporary landscape. Neither an environmental group nor an industry affiliated organization, the work of the Center integrates the many approaches to land use—the many perspectives of the landscape—into a single vision that illustrates the common ground in “land use” debates. At the very least, the Center attempts to emphasize the multiplicity of points of view regarding the utilization of terrestrial and geographic resources.

ITALIANO

Nell’ambito del World Congress for Climate Justice, Milano 2023

📍 Università Statale di Milano, via Festa del Perdono 7, Chiostro Legnaia (Aula EcoLab)
🗓 12 Ottobre 2023
🕦 H 16:00 – 16:30

MIKE BONANNO (THE YES MEN) | Talk

“Dopo 10.000 anni di clima stabile, la terra è entrata in un periodo di grande instabilità”, afferma Vamos. È per questo motivo che il mio obiettivo come educatore e comunicatore è stato quello di aiutarli a prepararsi a lavorare in modo proattivo per risolvere questi problemi emergenti, sia attraverso progetti multidisciplinari applicati che trattano i sintomi, sia attraverso l’impegno civico inteso ad affrontare le cause profonde.”

About IGOR VAMOS

Igor Vamos è membro di The Yes Men utilizzando lo pseudonimo di Michael “Mike” Bonanno e professore associato di arti multimediali al Rensselaer Polytechnic Institut. Vamos è anche noto per i suoi progetti collaborativi di arte pubblica come la Barbie Liberation Organization e il Center For Land Use Interpretation, un’organizzazione no-profit dedicata all’aumento e alla diffusione della conoscenza sulla natura dell’interazione umana con la Terra.

THE YES MEN

“Invitateci a corrompere i vostri studenti!”. The Yes Men è un duo di attivisti e performance che impersona capitani d’industria e sorprende il pubblico ignaro degli affari con azioni satiriche e toccanti che commentano urgenti questioni sociali e ambientali.

BARBIE LIBERATION ORGANISATION

“Siamo la Barbie Liberation Organization (B.L.O.), una rete sotterranea di attivisti creativi. Sfidiamo le norme sociali maligne e scateniamo conversazioni che risuonano oltre l’ordinario. La creatività è la nostra arma preferita. Attraverso atti di insurrezione culturale, miriamo a liberare le menti e provocare riflessioni. Le nostre operazioni segrete sono attentamente progettate per sconvolgere lo status quo e ispirare gli altri a mettere in discussione i costrutti che li confinano.”

CENTER FOR LAND USE INTERPRETATION

Dedicato all’aumento e alla diffusione della conoscenza su come le terre della nazione vengono ripartite, utilizzate e percepite. Il CLUI esiste per stimolare la discussione, il pensiero e l’interesse generale nel panorama contemporaneo. Né un gruppo ambientalista né un’organizzazione affiliata all’industria, il lavoro del Centro integra i numerosi approcci all’uso del territorio – le molteplici prospettive del paesaggio – in un’unica visione che illustra il terreno comune nei dibattiti sull’”uso del territorio”. Per lo meno, il Centro tenta di sottolineare la molteplicità dei punti di vista riguardo all’utilizzo delle risorse terrestri e geografiche.

THE CLIMATE JUSTICE LEAGUE Workshop | WCCJ 2023

ENGLISH

In the framework of the World Congress for Climate Justice, Milan 2023

📍 State University of Milan, via Festa del Perdono 7, Cloister Legnaia (Aula EcoLab)
🗓 12 October 2023
🕦 H 16:30 – 18:30

THE CLIMATE JUSTICE LEGUE Workshop

curated by Emanuele Braga

with the complicit participation of Andreco,  Andrea NatellaNoura TafecheSerpica Naro and Dirty Art Department (Jerszy Seymour, Theo Dietz e Rosa Meulenbeld), Institute of Radical Imagination (Marco Baravalle, Emanuele Braga, Maddalena Fragnito, Gabriella Riccio, Federica Timeto)

The CLIMATE JUSTICE LEAGUE saw its genesis at LE ALLEANZE DEI CORPI Festival, Milan KINLab September 2023

A generative co-creation of eco-warriors icons front for climate justice. The Climate Justice League will be present in the form of big cardboard puppets, ready to enter the street and march around the planet.

Subvertising and radical imagination: we need super heroes for climate justice! In the history of art and activism we have always practiced the situationist art of inventing fictional characters alongside real everyday struggles and which embodied the spirit of the time. Luther Blisset, San Precario, Serpica Naro, Gaetano, to name a few famous ones close to us, born in Milan and Italy. In this era of great upheavals, of floods, tornadoes and heat waves, in this Milan where the parks are closed due to cyclones, the entire Po Valley has been flooded and in the Alps there are no longer glaciers and water reserves… who can come to our rescue? What are the faces of the new CLIMATE JUSTICE LEAGUE? And above all, who are the evil forces behind all this?
After the great success of Greta Gerwig’s Barbie, Yesman and Pussyriot have just released the new face of Barbie Eco Worrior which you can find on  https://www.barbieliberation.org/. These and other super personalities will participate in the WORLD CONGRESS FOR CLIMATE JUSTICE hich will be held in Milan next 12-15 October. On this occasion Institute of Radical Imagination will also launch the anti-speciesist, fossil free and post-anthropocentric ART FOR RADICAL ECOLOGIES MANIFESTO.

ITALIANO

Nell’ambito del World Congress for Climate Justice, Milano 2023

📍 Università Statale di Milano, via Festa del Perdono 7, Chiostro Legnaia (Aula EcoLab)
🗓 12 Ottobre 2023
🕦 H 16:30 – 18:30

LA CLIMATE JUSTICE LEGUE Workshop

a cura di Emanuele Braga

con la partecipazione complice di Andreco,  Andrea NatellaNoura TafecheSerpica Naro and Dirty Art Department (Jerszy Seymour, Theo Dietz e Rosa Meulenbeld), Institute of Radical Imagination (Marco Baravalle, Emanuele Braga, Maddalena Fragnito, Gabriella Riccio, Federica Timeto)

La genesi della CLIMATE JUSTICE LEAGUE è stata presentata a LE ALLEANZE DEI CORPI Festival, Milano KINLab September 2023

Una co-creazione generativa di icone di eco-guerrieri in prima linea per la giustizia climatica. La Climate Justice League sarà presente sotto forma di grandi pupazzi di cartone, pronti a scendere in strada e marciare intorno al pianeta.

Subvertising e immaginazione radicale, ovvero: abbiamo bisogno di  super eroə per la giustizia climatica! Nella storia dell’arte e attivismo  abbiamo praticato da semprei l’arte situazionista dell’invenzione di personaggi fiction al fianco delle lotte reali di tutti i giorni e che incarnassero lo spirito del tempo. Luther Blisset, San Precario, Serpica Naro, Gaetano, per citarne alcuni famosi e a noi vicini, nati a Milano e in Italia. In questa epoca di grandi stravolgimenti, di alluvioni, tornadi e ondate di calore, in questa Milano in cui i parchi sono chiusi per ciclone, tutta la pianura padana è stata alluvionata e sulle alpi non ci sono più ghiacciai e riserve idriche… chi può venire in nostro soccorso? Quali sono i volti della nuova CLIMATE JUSTICE LEAGUE? E soprattutto chi sono le forze del male che stanno dietro a tutto questo?
Dopo il grande successo di Barbie di Greta Gerwig, Yesman e Pussyriot hanno appena liberato il nuovo volto di Barbie Eco Worrior che potete trovare sul sito https://www.barbieliberation.org/.  Questə e altrə super personaggə parteciperanno al congresso mondiale per il clima WORLD CONGRESS FOR CLIMATE JUSTICE che si terrà a Milano il prossimo 12-15 Ottobre. In questa occasione Iinstitute of Radical Imagination con la piattaforma antispecista, fossil free e post-antorpocentirca l’ART FOR RADICAL ECOLOGIES MANIFESTO. 

ASSEMBLEA DI BIENNALOCENE Atto III

Sale Docks, Mi Riconosci?, Institute of Radical Imagination e ADL Cobas

Terza assemblea pubblica di #BIENNALOCENE

🗓20/09/23
🕦19:30
📍Sale Docks, Dorsoduro 265, Venezia

Obiettivo: chiudere la scrittura della Carta metropolitana del lavoro culturale.

In una città in cui la surreale discussione ruota attorno al biglietto di ingresso, in cui i posti letto per turisti superano i residenti, in cui più la crisi morde più i prezzi salgono (a livelli grotteschi), nessuno discute di migliorare le condizioni di chi lavora nell’arte e nella cultura come semplice strategia per permettere a tant_ giovan_ di diventare residenti. Eppure siamo qui, tant_, come abbiamo dimostrato nelle precedenti assemblee di Biennalocene e siamo anche decis_ a non arrenderci all’avanzare del deserto. La nostra carta parla di salario minimo metropolitano, di rispetto e applicazione dei giusti contratti, di farla finita con le false p. IVA, di sicurezza, di superare il sistema delle esternalizzazioni, di giustizia di genere e altro ancora.

Scriviamola assieme!

Sale Docks @saledocks con @miriconosci.beniculturali@adl_cobas e @instituteofradicalimagination_

Tutt* sono benvenut*

Sale Docks, Mi Riconosci?, Institute of Radical Imagination & ADL Cobas

Third public assembly of #BIENNALOCENE

🗓20/09/23
🕦19:30
📍Sale Docks, Dorsoduro 265, Venice

Goal: to complete the writing of the Metropolitan Charter of Cultural Work.

In a city where the surreal discussion revolves around the entrance ticket, where the number of beds for tourists exceeds the number of residents, where the more the crisis bites, the more the prices rise (to grotesque levels), no one is discussing improving the conditions of those who work in the field of art and culture as one simple strategy to pursue to allow many young people to become residents. Yet we are here, as we have demonstrated in our previous Biennalocene open public assemblies and we are also determined not to give up to the void that gains more and more terrain. Our charter talks about the metropolitan minimum wage, about respecting and applying correct contracts, about putting an end to false VATs, and about work ssafety, to overcome tosic outsourcing, about gender justice and more.

Let’s write it together!

Sale Docks @saledocks con @miriconosci.beniculturali@adl_cobas e @instituteofradicalimagination_

All are welcome

ASSEMBLEA DI BIENNALOCENE Atto II

Sale Docks, Mi Riconosci?, Institute of Radical Imagination e ADL Cobas

invitano tutte le lavoratrici ed i lavoratori della cultura a partecipare alla seconda assemblea aperta verso la co-scrittura di un codice etico per le istituzioni culturali a Venezia

Tavoli di lavoro

  • 1 – Contratti, Partite IVA, Esternalizzazioni, Salario Minimo
  • 2 – Sicurezza, Cura, Stages e Tirocini

Tutt* sono benvenut*

Sale Docks, Mi Riconosci?, Institute of Radical Imagination & ADL Cobas

invite all cultural workers to participate in the second open assembly towards the co-writing of an ethical code of conduct for cultural institutions in Venice

Working groups

  • 1 – Contracts, VATs, Outsourcing, Minimum Wage
  • 2 – Safety, Care, Training

All are welcome

ASSEMBLEA DI BIENNALOCENE Atto I

Sale Docks, Mi Riconosci?, Institute of Radical Imagination e ADL Cobas

invitano tutte le lavoratrici ed i lavoratori della cultura a partecipare ad un’assemblea aperta.

Obiettivi:

  • Redigere una carta dei diritti del lavoro artistico e culturale a Venezia.
  • Costruire un luogo di incontro stabile per rompere l’isolamento.
  • Offrire assistenza sindacale a chi ne avesse bisogno.

Tutt* sono benvenut*

Sale Docks, Mi Riconosci?, Institute of Radical Imagination & ADL Cobas

invite all cultural workers to participate in an open assembly

Goals:

  • Draw up a charter of rights for artistic and cultural work in Venice.
  • Build a stable meeting place to break the isolation.
  • Offer union assistance to those in need.

All are welcome

BIENNALOCENE | Performance

Italiano | English

BIENNALOCENE Se ‘l mare fosse de tocio  

is an event by the Goethe-Institut and Institut of Radical Imagination in the framework of Performing Architecture a series of events run by the Goethe-Institut as program partner of the German Pavilion at the 18th International Architecture Exhibition La Biennale di Venezia.

Corte delle Casette, Calle Cantiere (Giudecca Palanca), 19 May 2023 h 7.30 pm

curated by Marco Baravalle

based on an idea by Anna Rispoli

idea, research, dramaturgy, direction   Marco Baravalle, Emanuele Braga, Gabriella Riccio, Anna Rispoli

graphics Emanuele Braga

with the participation of Federica Arcoraci, Emanuele Brocardo, Est Coulon, Valentina Pettosini, Enrico Pittalis, Davide Tolfo + 5 workers who prefer to remain anonymous

NOTES FFROM A PERFORMATIVE INVESTIGATION by Marco Baravalle on ARCH+

BIENNALOCENE, Corte delle Casette, Giudecca Venezia

from Art for UBI (Manifesto) a militant research on the conditions of cultural work in Venice

BIENNALOCENE is a performative inquiry into the conditions of cultural work in Venice. The play was written starting from a series of interviews with a group of workers in the Venetian cultural industries. The interviewees themselves will stage their considerations on professional and existential precariousness, housing, income and the future of the lagoon city to the test of global warming.

The performance takes its cue from Art For UBI, a project by the Institute of Radical Imagination which started in 2021 with the collective writing of a manifesto in which the art world takes a position in favor of universal basic income and which resulted in the publication of the book “Art For UBI (Manifesto)”, (Bruno, 2021).

da Art for UBI (Manifesto) una ricerca militante sulle condizioni del lavoro culturale a Venezia

BIENNALOCENE è una ricerca militante sulle condizioni del lavoro culturale a Venezia e sull’ecosistema Biennale, grande evento che mobilita centinaia di lavoratori e lavoratrici ogni anno. A partire dalle interviste effettuate ad un gruppo diversificato di questi lavoratori e queste lavoratrici (precari, stagionali, freelancers, artisti, mediatori, tecnici, addetti alle pulizie e non solo) emerge una drammaturgia che da vita ad un’assemblea performativa animata dagli stessi intervistati e messa in scena nello spazio pubblico.

La performance prende spunto da Art For UBI, progetto dell’Institute of Radical Imagination iniziato nel 2021 con la scrittura collettiva di un manifesto in cui il mondo dell’arte prende posizione a favore del reddito di cittadinanza universale e che ha portato alla pubblicazione di il libro “Art For UBI (Manifesto)”, (Bruno, 2021).

Campaign

Photos by Giorgio Schirato, courtesy of Goethe Institut

A BRIEF UNTIMELY SELF-INVESTIGATION ON MILITANT RESEARCH

English | Italiano | Español

We start from ourselves and within the networks the Institute of Radical Imagination is connected and has cross paths with sharing an enquiry (only 5 questions!) to think together with agents committed to forms of Militant Research.

Every effort that builds common spaces for action and militancy is precious, but it is also tricky. Time, physical, organisational, mental and economic reserves feed and grow along with those of others. At the same time, the more militancy grows, than the more limited these reserves become. Moreover, it is already hard to do commoning within collective organisations, and it is even harder to act intersecting other groups, struggles and claims. Yet so many past and recent struggles teach us the importance of keeping this intersectional approach. Moreover, this is vital to face the cyclical moments of backsliding

This is a short semi-permanent self-inquiry with which we want to try to ask questions together rather than count the answers. We do this starting from and around our nodes and we hope you want to join us.

ART FOR UBI (manifesto) | Book presentation in Venice

Talk performativa 14.12.22 ore 18:30 Libreria bruno Dorsoduro, 2729 Venezia

In collaborazione con Sale Docks, Art for UBI (manifesto): A cura di: Marco Baravalle, Emanuele Braga, Gabriella Riccio (Institute of Radical Imagination) – Intervengono: Federica Arcoraci, Chiara Buratti, Ilenia Caleo, Roberta Da Soller e IRI Institute of Radical Imagination

Art for UBI (manifesto): il libro è il primo volume della Collana IRI il cui scopo è quello di produrre conoscenza in comune e attorno al commoning situato all’intersezione tra arte, pedagogia e attivismo per una transizione verso il post capitalismo.

Art for UBI è un manifesto: il mondo dell’arte si posiziona a favore del reddito di cittadinanza universale e incondizionato, ponendo in primo piano le sue condizioni di vantaggio in termini economici, sociali ed ecologici. Il manifesto nasce come scrittura collettiva all’interno della School of Mutations, un progetto dell’Institute of Radical Imagination, una piattaforma internazionale di artisti, ricercatori, attivisti e curatori impegnati nella sperimentazione di pratiche artistiche post-capitaliste. Oltre all’introduzione delle curatrici, il volume raccoglie i contributi di diverse artiste, teoriche e attiviste che affrontano UBI nel panorama della precarietà generalizzata del lavoro artistico, della domanda di reddito nelle lotte transfemministe e decoloniali, delle pratiche mutualistiche nel scena artistica indipendente, il rapporto tra finanza, fabulazione e cripto filosofia.

Il volume include la drammaturgia di Una Renta, Muchos Mundos / One Income, Many Worlds, un’indagine performativa dell’IRI sul tema del reddito condotta a Madrid coinvolgendo un campione eterogeneo di residenti. La performance è stata allestita al Museo Reina Sofia nell’ambito del programma On The Precipice of Time. Practices of insurgent imagination. The Zapatista Forum nel Settembre del 2021.

Il libro è pubblicato da bruno

Contributi: Emanuele Braga, Kuba Szreder, Ilenia Caleo, Maddalena Fragnito and Raising Care Assembly, Gabriela Cabaña and Julio Linares, Erik Bordeleau.

A cura di: Marco Baravalle, Emanuele Braga, Gabriella Riccio (Institute of Radical Imagination)

Per acquistare la pubblicazione il link è bruno, Venezia

IRI AT THE DEMOCRACY PAVILION IN LJUBLJANA


THE DEMOCRACY PAVILION FOR EUROPE Ljubljana, March 9-11, 2022
ZRC SAZU

The Democracy Pavilion is a conference in Ljubljana organized by L’Internationale association and Zrc Sazu . Part of the #TheEuropeanPavilion program by European Cultural Foundation

📅 March 9-11

Programme 📌 https://internationaleonline.org/programmes/the_democracy_pavilion/…

Plans for this conference were first drawn up some months ago and we doubted whether to carry it on. We decided to use this platform to stand in solidarity with the Ukrainian people and condemn the war.

We will begin the sessions on March 9 with news from artists and cultural workers in Ukraine and the Ukrainian diaspora, to listen to what they want and need.

Our question: what does democracy mean in these current, bleak conditions? How do we both seek to defend the limited space to think and act that we still have and push for a new sense of living well and caring for the planet we share? 

📺  online at European Cultural Foundation YT channel

Plans for the Democracy Pavilion were first drawn up some months ago. However, with the current Russian’s army invasion of Ukraine in our minds, L’Internationale association wants to use this platform to stand in solidarity with the Ukrainian people and condemn the military invasion that affects the lives of millions of civilians.

During the three days, we will discuss many issues of democracy, Europe, colonial legacies and contemporary empires. We will do this with Ukraine in our minds and our hearts. We share the urgency of stopping the war and we are taking the actions that are in our hands as civilians to demand an immediate end to the attacks. In addition to solidarity with those who directly suffer from Russian aggression, we also want to stand with those who resist from inside Russia and who risk their own lives and well-being to defend others. Together, we must try to use art to imagine a society that will prevent such conflicts in future, and then go on to build it. We hope our conference can contribute a little to all these urgencies.

While condemnation of the war is crucial, it is in itself only one necessary step. We also find it important to maintain the spaces for public debate and analysis of the causes of the war and the position of arts and culture when life and democratic values are under threat. In that light, we carry the pain of ongoing conflicts in Syria, Yemen, Afghanistan and elsewhere, as well as the histories of exploitation and erasure that still manifest themselves in the present. Our question remains what does democracy mean in these current, bleak conditions? How do we both seek to defend the limited space to think and act that we still have, and push for a new sense of living well and caring for the planet we share? We will begin the sessions on Wednesday with news from artists and cultural workers in Ukraine and the Ukrainian diaspora. We hope that some of them will be able to travel to Ljubljana so that we can listen to what they want and need. With this invasion, it is more clear than ever that real existing democracy is under existential threat. While it is true that European democracies are imperfect, they have allowed for governments that are to some degree responsive to open, independent elections decided by debate and argument. Today, even that version of democracy is something we need to defend, as well as to nurture the better, more equitable, more joyful versions we hope can yet emerge. Re-energizing our common futures is something to which everyone can contribute; but we believe that the arts can play its role as an initiator of imaginative epistemologies and a new ethic of living together within the limits of the planet. We want to use this opportunity to explore that belief.

Curated by Zdenka Badovinac and Charles Esche, the Democracy Pavilion for Europe aims to contribute to the rethinking and potential revival of communal forms of decision making as a vision and practice, with artists playing a key role in their conception of different and better worlds and an ethics of living together differently on this planet.

The aim of the Democracy Pavilion for Europe conference is to concentrate artistic, activist, and institutional energies. The objective is to find ways for the creative community to understand democracy and its limits, articulate its values, and propose forms through which to build a new commitment to shared control, public interest and the commons.

The Pavilion will start as an international conference in Ljubljana on 9–11 March, organized by the L’Internationale association in cooperation with ZRC SAZU. This is the first step in the Pavilion’s planned programme that will unfold through local workshops at L’Internationale confederation member locations and transform into an online pavilion at: http://www.internationaleonline.org.

The Democracy Pavilion for Europe is part of The European Pavilion – an initiative by the European Cultural Foundation that aims to support and promote artistic projects that imagine desirable and sustainable futures for Europe. The European Pavilion was initiated by the Amsterdam-based European Cultural Foundation and is developed in partnership with the Camargo Foundation, the Kultura Nova Foundation, and Fondazione CRT.

Over the course of 2021, seven arts and cultural organizations in various countries across Europe have joined this exciting new initiative: ARNA (Sweden), Brunnenpassage (Austria), INIVA (London), OGR Torino (Italy), State of Concept (Greece), Studio Rizoma (Italy) and L’Internationale (Ljubljana, Belgium, Netherlands, Spain and Poland).

More information at: theeuropeanpavilion.eu

Coordination of the Democracy Pavilion: Nika Ham, Maria Mallol


PROGRAM

9 March, Day 1

Should we stay or should we go? Leaving or reforming liberal democracy

This day will be devoted to looking at people/groups/organizations that are questioning their experience of existing democracy and investigating an “elsewhere”, thinking about cultural efforts in communities, in cultural education, in other forms of change. Is existing liberal democracy a viable way towards emancipation, inclusion, and social justice? What is the potential relation between culture, social justice, and democracy? What cultural forms might sensibly contribute to these aims?

10:00–10:30 Welcome. Oto Luthar, Zdenka Badovinac, Charles Esche. On zoom: André Wilkens (Director of the European Cultural Foundation) and Lore Gablier (ECF program manager) presenting the European Pavilion Program and the European Culture for Solidarity Fund.

10:30–12:00 Artists and Democracy – Panel 1 Emergency action. Contributions from / for Ukraine.

Open panel. Artists and cultural workers in the Ukraine and the Ukrainian diaspora. including Nikita Kadan (artist and curator) and others depending on the current situation.

COFFEE BREAK

12:15–12:45 In conversation with Iskra Geshoska (zoom) 12:45- 14:00 Artists and Democracy – Panel 2 Gabriella Riccio – IRI Nika Autor

Moderator: Charles Esche

14:00h- 15:00 Lunch 15:00–17:00 Artists and Democracy – Panel 3 Dmitry Vilensky (zoom) Antifascist Year Eszter Szakács Moderator: Charles Esche

17:00–17:30 In conversation with Hazal Halavut (zoom) COFFEE BREAK

18:15 EVENING LECTURE Peter Klepec


10 March, Day 2

Using Democracy

On the second day, actors are invited who are active in politics, theory and institutional organisation and who make use of culture and art in their work. They are working within and around the liberal democratic nation state and the public sector, often looking for the opportunities it affords for dissent and for taking democratic power. How to use or access the languages of art and culture to question democracy or hold the state to its stated ideals? What is the relationship between democracy and public cultural institutions and subsidies? What is needed to reshape existing liberal democracy away from its apparent capture by the conservative and revolutionary right? 10:00–11:00 Conversation (zoom): Manuel Borja-Villel and Joanna Mytkowska Towards the Museum of the Commons.

What is the use of apparently democratic public institutions today? Moderator: Zdenka Badovinac

COFFEE BREAK

11:00–13:00 The Use and Abuse of Existing Structures

Asta Vrečko Tomislav Medak Aleksei Borisionok

Moderator: Bojana Piškur

13:00–14:00 – Lunch

14:00- 17:30 Constituting and reconstituting: practices and repairs

14:00–14:30 Tania Bruguera (zoom) 14:30–15:00 Sandi Hilal (zoom)

SHORT BREAK

15:20-15:40 Rolando Vasquez 15:40-16:10 Marcelo Expósito 16:10-16:30 Jonas Staal

16:30-17:30 Questions and open discussion

Moderator: Corina Oprea

COFFEE BREAK

18:15 EVENING LECTURE, Tomaž Mastnak


11 March, Day 3

Kakšna sramota! (What a shame!) The Case of Slovenia

The case of Slovenia: what is happening here and why? What is to be done about it in the cultural field? Artists, cultural workers, and activists from Slovenia are invited to discuss their role in the fight for democracy as it is currently threatened in Slovenia. The day will be dedicated to the sustainability of such resistance – to its economy, structure, networking, and archiving.

10:00 Introduction of the Historical Context Oto Luthar, historian and director ZRC SAZU (introduction by Zdenka Badovinac)

COFFEE BREAK

11:00–12:30 Artists and Activists – Panel I

NON-GRUPA Protestna ljudska skupščina (The Protest People’s Assembly) Aktiv delavk in delavcev v kulturi (The Culture Workers Active): Petja Grafenauer, Miha Zadnikar Vladozlom (via Zoom) 12:30-14:00 LUNCH 14:30–15:30 Artists and Activists – Panel II Miha Blažič, N’toko Tjaša Pureber COFFEE BREAK 15:30-17:30 WORKSHOPS Workshop 1: Artistic approach as basic tool of non-violent protests, Jaša Jenull (representative of The Protest People’s Assembly) The workshop will discuss the mechanisms, experiences, and practical approaches that have helped us carry out more than 90 mass protests and a large number of small artivist interventions over the past two years of struggle against the far right government in Slovenia. Through practical examples, we will present our answers to some of the key questions we have faced in our two years of constant presence on the street. Among others: How to make the invisible visible? How to effectively utilize mass media? How to maintain protest mobilization with the help of art in the long run? How to empower and connect the wider community of protesters using artistic approaches. The second part of the workshop will present a concrete protest action that will take place on the same day and offer participants the opportunity to participate in the protest itself.

Workshop 2: Culture, art, and political activism – key problems today, Miha Zadnikar (representative of the Culture workers active) This workshop will touch on crucial points of the (quite changed) activism / art / culture relationship that are critically seen from a critical perspective today.

The main topics will be:

a) older, recent, and unconscious traps of liberal / illiberal democracies

b) aggressive times of biopolitics; radical state repression and “predatory capitalism”

c) disintegrated subjects within the so-called cultural and creative sectors; cultural fetishism; defetism; recent unexpected difficulties in shaping heterogeneous political movements

d) questioning the “activism of names and family names”; personal career-making activism; grass-roots vs. NGO trends; autonomy and non-hierarchical politics

e) spontaneous inclinations towards a liberal political worldview / liberal jargon

f) opportunities and obstacles in attempts to move away from ideological struggles (with using reorganized and sharpened “national culture”) towards more productive (class) ways of struggle.

Participants:

Antifascist Year (Bogna Stefanska and Jakub Depczinsky), Nika Autor, Zdenka Badovinac, Miha Blažič – N’toko, Aleksei Borisionok, Tania Bruguera, Charles Esche, Marcelo Expósito, Iskra Geshoska, Petja Grafenauer and Miha Zadnikar (representatives of The Culture workers active), Hazal Halavut, Sandi Hilal, Jaša Jenull (representative of The Protest People’s Assembly), The Protest People’s Assembly, Nikita Kadan, Peter Klepec, Oto Luthar, Tomaž Mastnak, Tomislav Medak, Joanna Mytkowska, NON-GRUPA, Corina Oprea, Tjaša Pureber, Gabriella Riccio, Jonas Staal, Eszter Szakács, Rolando Vásquez, Dmitry Vilensky, Asta Vrečko, Miha Zadnikar (representative of the Workers in Culture Task Group), Vladozlom

EINKOMMEN. DIE BEDINGUNGSLOSE REDE | Performance

English | Deutsch

After joining the Art for UBI (manifesto) Platform in 2020, Anna Redi presented the first performance based on the Art for UBI (manifesto) for the opening of the Wiener Festwochen 2021 in collaboration with Institute of Radical Imagination. Since then the Institute of Radical Imagination & Anna Redi have realised all the following performaces based ion the Art for UBI (manifesto) in Madrid, Milan, Venice.

Concept, Direction Anna Rispoli

In collaboration with Emanuele Braga, Maddalena Fragnito, Britt Hatzius, Irena Radmanovic, Common Income, ART for UBI, Institute of Radical Imagination, Volksbegehren Grundeinkommen: Runder Tisch Grundeinkommen Österreich, Generation Grundeinkommen, Verein Das Grundeinkommen, Attac Österreich, Runder Tisch Grundeinkommen Salzburg, Netzwerk Grundeinkommen Research,

Interviews Magdalena Fischer

Text Anna Rispoli, Katja Dreyer and 15 citizens of Vienna Production management Marine Thévenet

A commission and a production by Wiener Festwochen 2021

INCOME. The unconditional speech

Eröffnungsrede der Wiener Festwochen 2021

How would we organise our lives if we didn’t have to earn a living? Indeed, what would we do if our livelihood was secured? In 2021, the Wiener Festwochen will once again open with a discursive debate; artist and activist Anna Rispoli is elaborating a choral speech on unconditional basic income. It is an appeal to reflect on distributive justice, precarity and sustainability. Based on interviews with Viennese citizens and against the backdrop of a work environment thrown even more out of sync by a virus, Income. The unconditional speech sees our present-day utopia as tomorrow’s realities. How would unconditional basic income redesign our lives, our towns and cities, society, and the world as a whole? Rispoli’s interventionist art practices aim to change the public space and are founded on the principle of affective mutual contamination. When words uttered by others pass through our own mouths, a form of non-monetary exchange is able to occur. An economy like we have never seen before!

Wie würden wir unser Leben organisieren, wenn wir nicht von Erwerbstätigkeit abhängig wären? Wenn für unsere Lebenserhaltung gesorgt wäre – was würden wir tun? 2021 eröffnen die Wiener Festwochen erneut mit einer diskursiven Debatte; die Künstlerin und Aktivistin Anna Rispoli gestaltet eine chorische Rede zum bedingungslosen Grundeinkommen. Ein Appell, über Verteilungsgerechtigkeit, Prekarität und Nachhaltigkeit nachzudenken. Basierend auf Interviews mit Wiener*innen und vor dem Hintergrund einer durch ein Virus erst recht aus dem Lot geratenen Arbeitswelt begreift das leidenschaftliche Plädoyer die Utopien von heute als die Realitäten von morgen. Wie würde ein bedingungsloses Grundeinkommen das Leben neu gestalten, die Stadt, die Gesellschaft, die ganze Welt? Rispolis interventionistische Kunstpraktiken zielen auf Veränderung des öffentlichen Raums und fußen auf dem Prinzip der gegenseitigen affektiven Ansteckung. Wenn die Worte anderer durch den eigenen Mund wandern, kann eine Form von nichtmonetärem Austausch geschehen. Eine Ökonomie wie noch nie!


LEGAL TOOLS & URBAN COMMONS

A platform to foster juridical recognition of the commons

Assemblies

  • Naples 2017
  • Madrid 2018
  • Athens 2018
  • Madrid 2023