Category: News

RES EXTENSA | Gabriella Riccio


within the framework of the residency Program DESVÍO by Planta Alta / Hablar en Arte, in collaboration with the Institute of Radical Imagination, with the hospitality of Museo en Red / Museum Reina Sofia – Thursday May 25th, 17:00-21:00


RES EXTENSA

Res Extensa is a project idea, a hybrid format combining the dimension of critical thinking with the somatic-sensory erotic experimental (experiential) dimension of physical thought; its theme / matter / object / starting point is the body in its relationship with other bodies.

Res Extensa in its experiential form is a participatory event that proposes a framework for experimentation and physical thinking. Res Extensa is proposed as a way to participate in a collective dialogue: enter a choreographic system that does not depend on physical ability, has no audience and only works through its action.
Using choreographic practices, Res Extensa invites participants to reflect from their bodies, to critical thinking, wanting to find the exception to the norm, to active listening, to sharing experiences and perspectives among them. Res Extensa moves from pleasure, it is a strategy to reestablish social bonds, re-eroticize other ways of inhabiting the world, reduce the distance and somatize in action. It does not accommodate, and it does not anesthetize, swimming against the current, it says no to the autonomy of aesthetics, it can only be experienced from the inside.

“I am interested in exploring how dance and choreography can contribute to an understanding of the political in our times. I am interested in Movement and Movements of ideas and of the individual or collective bodies. At its chore choreography moves around the relationship between body, space and time, and the possibilities of their reconfigurations. As a choreographer, my creative and investigative process develops through systems of rules and exceptions to the rule: in other words, I can say that the choreography creates systems and atmospheres where to observe the rupture point – deviations – that transforms them into other configurations. I am interested in this moment of transformation: the manifestation of the rupture, which always seems to me like a form of “withdrawal” to let something different appear, from a need, a desire, an imagination in a process that has something aleatory and necessary at the same time: allowing, welcoming, letting appear, being open to change, transformation, by letting other bodies affirm themselves in space and time. Therefore, as an activist committed with the movement for the commons, I also understand the gestures of reconfiguration of our way of being in the world as choreographic gestures that are manifested through a reconfiguration of bodies or space and tautologically of the law.”

Res Extensa dialogues with the theoretical elaboration of contemporary researchers and philosophers:
– Andreas Philipopoulos Mihailopoulos and his concepts of Spatial Justice, Normorama and Atmosphere;
– Andre Lepecki and his concept of Choreopolitics and Agency in the era of control.

Continue reading “RES EXTENSA | Gabriella Riccio”

ART FOR UBI (MANIFESTO) | launching campaign

ART for UBI Manifesto > ITALIANO

#ARTforUBImanifesto

You can sign ART FOR UBI (Manifesto) on change.org
We strongly invite you support the EU Citizen’s Initiative to Start Unconditional Basic Incomes (UBI) throughout Europe

ART FOR UBI (Manifesto)

1/ Universal and Unconditional Basic Income is the best measure for the arts and cultural sector. Art workers claim a basic income, not for themselves, but for everyone.

2/ Do not call UBI any measures that do not equal a living wage: UBI has to be above the poverty threshold. To eliminate poverty, UBI must correspond to a region’s minimum wage.

3/ UBI frees up time, liberating us from the blackmail of precarious labor and from exploitative working conditions.

4/ UBI is given unconditionally and without caveats, regardless of social status, job performance, or ability. It goes against the meritocratic falsehoods that cover for class privilege.  

5/ UBI is not a social safety net, nor is it welfare unemployment reform. It is the minimal recognition of the invisible labor that is essential to the reproduction of life, largely unacknowledged but essential, as society’s growing need for care proves.

6/ UBI states that waged labor is no longer the sole means for wealth redistribution. Time and time again, this model proves unsustainable.Wage is just another name for exploitation of workers, who always earn less than they give. 

7/ Trans-feminist and decolonizing perspectives teach us to say NO to all the invisible and extractive modes of exploitation, especially within the precarious working conditions created by the art market.

8/ UBI affirms the right to intermittence, privacy and autonomy, the right to stay off-line and not to be available 24/7.

9/ UBI rejects the pyramid scheme of grants and of the nonprofit industrial complex, redistributing wealth equally and without unnecessary bureaucratic burdens. Bureaucracy is the vampire of art workers’ energies and time turning them into managers of themselves.

10/ By demanding UBI, art workers do not defend a guild or a category and depreciate the role that class and privilege play in current perceptions of art. UBI is universal because it is for everyone and makes creative agency available to everyone.

11/ Art’s health is directly connected to a healthy social fabric. To claim for UBI, being grounded in the ethics of mutual care, is art workers’ most powerful gesture of care towards society.

12/ Because UBI disrupts the logic of overproduction, it frees us from the current modes of capital production that are exploiting the planet. UBI is a cosmogenetic technique and a means to achieve climate justice.

13/ Where to find the money for the UBI? In and of itself UBI questions the actual tax systems in Europe and elsewhere. UBI empowers us to reimagine financial transactions, the extractivism of digital platforms, liquidity, and debt. No public service should be cut in order to finance UBI.

14/ UBI inspires many art collectives and communities to test various tools for more equal redistribution of resources and wealth. From self-managed mutual aid systems based on collettivising incomes, to solutions temporarily freeing cognitive workers from public and private constraints. We aim to join them.


SIGNATURES

Individuals

  • Emanuele Braga / Macao, Milan; Institute of Radical Imagination
  • Marco Bravalle / Sale Docks, Venice; Institute of Radical Imagination
  • Gabriella Riccio / L’Asilo, Naples ; Institute of Radical Imagination
  • Ilenia Caleo / Campo Innocente; Incommon – Università IUAV Venezia
  • Anna Rispoli / Artist
  • Maddalena Fragnito / Macao, Milan; Phd at Coventry University
  • Andrea Fumagalli / Effimera; University of Pavia
  • Nicola Capone / Philosopher; L’Asilo, Naples
  • Luigi Coppola / Artist
  • Giuseppe Micciarelli / L’Asilo, Naples, University of Salerno
  • Julio Linares / Economist and Anthropologist; JoinCircles.net
  • Dena Beard / The Lab, San Francisco
  • Manuel Borja-Villel / Museum Director, Madrid
  • Salvo Torre / Professor, member of POE Politics, Ontologies, Ecologies
  • Sara Buraya Boned / L’Internationale; Institute Of Radical Imagination
  • Kuba Szreder / Curator and theorist, Warsaw
  • Dmitry Vilensky / Chto Delat
  • Charles Esche / Director of Van Abbemuseum, Eindhoven
  • Franco Bifo Berardi / Philosopher
  • Gregory Sholette / Artist
  • Zeyno Pekunlu / Artist, Institute of Radical Imagination
  • Anna Daneri / Forum dell’arte contemporanea italiana
  • Massimo Mollona / Goldsmiths’ University of London, Institute of Radical Imagination
  • Jerszy Seymour / Artist and Designer; Sandberg Institute
  • Marco Assennato / Maître de conférences in filosofia, Ecole Nationale Supérieure d’Architecture, Paris-Malaquais
  • Roberto Ciccarelli / Philosopher and journalist
  • Sandro Mezzadra / Philosopher
  • Geert Lovink / Institute of Network Cultures, Amsterdam
  • Alisa Del Re / senior professor Ateneo Patavino
  • Andrea Gropplero / Film Director
  • Giuseppe Allegri / Activist
  • Elena Lasala Palomar / Institute of Radical Imagination
  • Nicolas Martino / Philosopher
  • Ilaria Bussoni / Editor and curator
  • Danilo Correale / Artist
  • Annalisa Sacchi / Incommon – Università IUAV Venezia
  • Giada Cipollone / Incommon – Università IUAV Venezia
  • Stefano Tomassini / Incommon – Università IUAV Venezia
  • Piersandra Di Matteo / Incommon – Università IUAV Venezia
  • Elena Blesa Cabéz / Researcher, Barcelona; Institute of Radical Imagination
  • Jesús Carrillo / Senior Lecturer at the Department of History and Theory of Art Universidad Autónoma de Madrid; Institute of Radical Imagination
  • Pablo García Bachiller / Arquitecto; Institute of Radical Imagination
  • Theo Prodromidis / Artist; Institute of Radical Imagination
  • Mabel Tapia / Art Researcher Madrid-Paris
  • Chiara Colasurdo / Labour Lawyer


Organizations

  • Institute of Radical Imagination
  • Il Campo Innocente
  • Macao
  • Sale Docks
  • Chto Delat
  • L’Asilo
  • Euronomade
  • Dirty Art Department Gerrit Rietveld Academie and Dirty Art Foundation
  • Effimera
  • OperaViva Magazine
  • Basic Income Network – Italia
  • Community and Research for Circles UBI
  • Forum d’arte contemporanea
  • Global Project
  • Dinamopress
  • Sherwood
  • AWI Art Workers Italy
  • Maestranze dello Spettacolo Veneto
  • Autonomedia New York City

SUPPORT EVA ESPACIO VECINAL ARGANZUELA in MADRID: SIGN! | #EVAsigue

Citizen Initiative for a Self-Managed Space by citizens. Former Legazpi Fruit and Vegetable Market. EVA Espacio Vecinal Arganzuela wants the transfer of the space for self-managed use by social organizations and citizen entities of the Arganzuela district.

The Institute of Radical Imagination supports and invites you to sign! to support EVA by sending an email to the political leaders of the Madrid City Council requesting the 4-year extension for the Arganzuela Neighborhood Spaces:

The email you send will be redirected with your name to the Arganzuela District Board, the councilor, president and coordinator of the district, as well as to the mayor and vice mayor of Madrid City Council.

NORMALITY WAS THE PROBLEM | Extended Call for a Common Campaign

Microutopías, Inmigración, ¿Volver adónde? / Back to where?, 2020


The Call for a Common Campaign is extended until September 15, 2020

#NormalityWasTheProblem #LaNormalidadEraElProblema #ANormalidadeEraOProblema #LaNormalitéÉtaitLeProblème


“There will be no return to old ‘normality’ in the near future”
These are Tedros Adhamon’s words. Meanwhile, due to “old normality”, in some places disguised as “new normality”, no near futures seem to appear on our horizonts.Global illness. A yearning for accumulation that does not pay attention to those who are left out, crowded in refugee camps or in shacks surrounded by greenhouses of slave labor; those who are evicted from their homes, neighborhoods and lives; those who are forgotten in jails which negotiate with their black bodies; those who are forced to put their dignity in the queue of the food bank, of the charity of the State or the Churches, of unemployment, of the papers, or the hawthorn borders.
Global resistance. A force that reinvents each time the meaning of the word freedom to undress it from the abuses it suffers on a daily basis. Which recovers the word justice by putting it into practice, day by day, in the networks of mutual support, in stopping evictions, in the demonstrations for the support of the public, of the common; in strengthening ties; in the planetary virtual proximity of the contagion of slogans, struggles and political affections.
With this text we invite you to continue denouncing the unbearable injustice of normality, and to tell  where it breaks and how from these cracks emerge genuine political springs ; through words, posters, sounds, images, graffiti, tweets, stones or birds. 

With this campaign we invite you to continue denouncing the unbearable injustice of normality, and to tell  where it breaks and how from these cracks emerge genuine political springs ; through words, posters, sounds, images, graffiti, tweets, stones or birds.

Feed it by sending your contributions to: normalitywastheproblem@gmail.com
Campaign pad: https://pad.riseup.net/p/%23NormalityStillTheProblem
To contribute images, memes, …: normalitywastheproblem@gmail.com
To see all contributions: Instagram @normalitywastheproblem or on https://drive.google.com/drive/folders/1C8HyScMdxBkIByu-5hkQmA4ZUgiOhsYl?usp=sharing

NORMALITY WAS THE PROBLEM | Call for a Common Campaign

The context of the global pandemic has amplified all the inequalities that feed the capital accumulation system: gender inequalities (more violence in closed-door households, more care workload for women without schools or senior centers, more harassment on online channels…); the inequalities of border regimes; inequalities in the international division of labor, among many others. At the same time, all public goods have been eroded, as shown by the state of health systems around the world. That was and it is our normality.

Continue reading “NORMALITY WAS THE PROBLEM | Call for a Common Campaign”

AFTER THE EVENT by Begüm Özden Fırat y Zeyno Pekünlü


Museo Reina Sofía, Open presentation Thursday 16th, January 2020 19:00, Workshop Friday 17th, January 2020 20:00, full program below


After the event focuses on the afterlife of the recent cycle of revolts initiated in late 2010. Wherever they have emerged- Turkey to Spain, from Greece to Syria and Egypt- these movements shook the existing political systems and sometimes toppled them down, yet they proved to be not powerful enough to subvert the political establishment as a whole.

Continue reading “AFTER THE EVENT by Begüm Özden Fırat y Zeyno Pekünlü”

THE END OF HISTORY COMES AT THE END OF RADICAL IMAGINATION | IRI at Integrated 2019


Integrated 2019 Thursday November 5th, 15:30,  St Lukas School of Arts Antwerp, room K02.10 Discussion group / Workshop / Master Class Max. 30 persons Duration: 120′, full program below


The “end of History” comes at the end of the Radical Imagination. A polyphonic reflection on Action-Research.

To think different, we must act different, but without critical thinking, actions are meaningless and easily subsumed to capitalism. We are proposing to reflect on what E.Bloch called as “concrete utopia”, questioning how unfolding radical theories we are able to sustain radical practices. We want to propose a panel to share ideas, acts, and methodologies on how academic, activist and artist can share action-research projects.

Continue reading “THE END OF HISTORY COMES AT THE END OF RADICAL IMAGINATION | IRI at Integrated 2019”

INTERNATIONALISM AFTER THE END OF GLOBALISATION


Museum on the Vistula, Warsaw, Art Against War and Fascism in the 20th and 21st Centuries – 24 October (Thursday); Internationalism After the End of Globalization – 25–26 October (Friday–Saturday), full program below


The Museum of Modern Art in Warsaw invites the public to the summit “Internationalism after the end of globalisation”. It will play the dual role of a conference and a workshop session.

Continue reading “INTERNATIONALISM AFTER THE END OF GLOBALISATION”

SUPPORT LA INGOBERNABLE: SIGN!

La Ingobernable CSO, is a key space when it comes to the common thinking in Madrid. The second IRI meeting, held in Madrid, occurred in parallel with the “Master” in Urban Commons and both sessions took place at La Ingobernable, which had a central role in designing and realizing the Master, developed along other common spaces as L’Asilo (Naples) or La Casa Invisible (Málaga), conceived as an action intervention for the legalization of the commons.

Continue reading “SUPPORT LA INGOBERNABLE: SIGN!”