Tag: Emanuele Braga

Presentation

ART FOR UBI | Talk TEATRO DO BARRIO ALTO

Organized by TBA Teatro do Barrio Alto Lisbon Portugal

ENGLISH

ART FOR UBI Talk

With Marco Baravalle & Emanuele Braga (Institute of Radical Imagination)

29 June 18:30

While the financial elite continues to use the art market as a safe haven for financial assets, the Covid-19 pandemic has further highlighted the fragility and precariousness of artistic workers around the world. This context fueled the discussion around the Universal Basic Income (Universal Basic Income). The Art for UBI manifesto argues that this measure is a necessary condition for rethinking an ecologically extractive economic model, correcting race and gender asymmetries and changing the current neoliberal structure of the art world. The Universal Basic Income can be seen as a tool to open up new subjective spaces, an alternative to the dominant entrepreneurial individualism, valuing the common and care. Written collectively within the Institute of Radical Imagination and edited by Marco Baravalle, Emanuele Braga and Gabriella Riccio, Art Form UBI (Manifesto) [Venice, Bruno, 2022] contains contributions from several artists, theorists and activists who address RBI in the generalized picture of the precariousness of artistic work, the search for income in transfeminist and decolonial struggles, mutualism practices in the independent artistic scene, the relationship between finance, fabulation and cryptophilosophy.

ACCESSIBILITY Streaming available on the same day at Teatrodobairroalto.pt and on social networks

Price Free admission upon prior ticket collection from 3 pm (maximum of 2 tickets per person) Sala Manuela Porto

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PORTUGUES

ART FOR UBI Discurso

Con Marco Baravalle & Emanuele Braga (Institute of Radical Imagination)

29 Junio 18:30

Enquanto a elite financeira continua a usar o mercado de arte como um porto seguro para ativos financeiros, a pandemia da Covid-19 evidenciou ainda mais a fragilidade e precariedade de trabalhadores do meio artís- tico em todo o mundo. Este contexto alimentou a discussão em torno do Universal Basic Income (Rendimento Básico Universal). O manifesto Art for UBI defende que esta medida é condição necessária para repensar um modelo económico ecologicamente extrativista, corrigir assimetrias de raça e género e mudar a atual estrutura neoliberal do mundo da arte. O Rendimento Básico Universal pode ser visto como uma ferramenta para abrir novos espaços subjetivos, alternativa ao individualismo empreen- dedorista dominante, valorizando o comum e o cuidado. Escrito coletiva- mente no âmbito do Institute of Radical Imagination e editado por Marco Baravalle, Emanuele Braga e Gabriella Riccio, Art Form UBI (Manifesto) [Veneza, Bruno, 2022] contém contribuições de diversas artistas, teóricas e ativistas que abordam o RBI no quadro generalizado da precariedade do trabalho artístico, a procura de rendimentos nas lutas transfeministas e decoloniais, as práticas de mutualismo na cena artística independente, a relação entre finança, fabulação e criptofilosofia.

ACESSIBILIDADE Streaming disponível no próprio dia em teatrodobairroalto.pt e nas redes sociais

Preço Entrada Livre mediante levantamento prévio de bilhete a partir das 15h (máximo de 2 bilhetes por pessoa) Sala Manuela Porto

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Workshop

CONJUNCTION 0

In the framework of the Critical Nodes of Connective Tissue Museo Reina Sofía’s Study Programme in Critical Museology, Artistic Research Practices and Cultural Studies


Organized by
Fundación de los Comunes, Institute of Radical Imagination, La Laboratoria. Espacios de Investigación Feminista y Museo en Red

ENGLISH

Full program will be announced soon

Please come back later

go to Militant Research Node

ESPANOL

Próximamente se anunciará el programa completo

Por favor vuelve a consultar más tarde

ir al Nodo de Investigación Militante
Presentation

IASC CONFERENCE 2023 | THE COMMONS WE WANT

Institute of Radical Imagination joined IASC International Association for the Study of the Commons and is taking part to the international conference The Commons we want: between historical legacies and future collective actions held in Nairobi, Kenia June 19-24 2023 in the following two panels:

Sub-theme 8. Opportunities and challenges of digital commons

PANEL 8.7. June 20, 2023 09:00 (10:00 CEST)

New approaches to commons governance from the blockchain ecosystem

Co-Chairs: Seth Frey (University of California Davis, USA) and Andy Tudhope (Independent scholar and practitioner, South Africa)

3. Technological Tools for the Commons. Dissident Algorithms’ Organizations

Emanuele Braga (Institute of Radical Imagination, Italy) and Maddalena Fragnito (Coventry University, UK)

This paper focuses on relational and technological tools for self-organization that have been developed within movements for the commons during the last 10 years between the financial and the pandemic crisis and beyond. Within the self-managed spaces taken into account, horizontal, non-hierarchical decision-making processes have been developed, mostly based on the sharing of means of production, and a supportive and non-competitive distribution of knowledge.
This research would like to update the concept of DAO, a Decentralized Autonomous Organization, in the context of the process of commoning. In the international debate, DAO contains the challenge to shape the life of an organization on the basis of the set of tools using mainly blockchain technologies to automatize different autonomous peer initiatives. I would like to raise the question: which of these sets of tools is really sustainable to foster collaboration instead of competition by going beyond the capitalistic mode of production?
The project aims to introduce a survey and map the most interesting tools and methodologies in use within the European panorama of activism for a post-capitalist ecological transition. The survey and the mapping process aim both at making technological tools available and experimenting with them in the specific context of the Institute of Radical Imagination’s productive and collaborative platform.
The Institute of Radical Imagination was born in 2017 as a monster/alternative institution by artists, activist researchers and cultural operators.

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Sub-theme 10. Local institution building and radical futures for the commons

PANEL 10.12. B June 20, 2023 11:00 (12:00 CEST)

From the governance of the commons to a wider commons-inspired governance: obstacles and institutional changes inside the State and the Market

Co-Chairs: Margherita D’Andrea (University of Naples Federico II , Italy) and Giuseppe Micciarelli (University of Salerno/DISPC, Italy)

4. Intersections between arts, militant research and the commons

Institute of Radical Imagination, Italy

What is the relation between artistic practices and the commons? Is it just a matter of providing cultural opportunities for the community and those that are not able to have access to it? Could art practices in the commons open up to popular cultures? Could this coming together foster new publics, opening new possibilities for appreciating a variety of cultural productions? Does it aim to create contradictions in the cultural production system? Is it a way to give asylum to productions outside the market? Or all these things together? As the Institute of Radical Imagination, we are a group of curators, activists, scholars and cultural producers with a shared interest in co-producing research, knowledge, and artistic and political research interventions for a transition to post-capitalism. We will discuss issues we face with our artistic, academic and political activism: How do the voices/careers of artists who approach the commons intersect and/or change and transform their art, performances, and way of sharing? How does artistic education affect the way that artists can engage with the commons? How do IRI or other forms of activism based on culture, arts and commons influence the policies of traditional cultural institutions? Is it possible? Can we imagine an alternative way to create festivals that are not mere exhibitions of ideas, or that are not connected to and based on mainstream proposals? Are there some interesting case studies on distributing resources and opportunities in a horizontal and non-hegemonic way between commoners even when individual careers, productions, and lives are involved?

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Workshop

COMMONING OUR WORK, COMMONING OUR INSTITUTIONS | IMPULSE AKADEMIE

Organized by Cheers for Fears in the framework of IMPULSE Theater Festival Akademie Düsseldorf

ENGLISH

PRODUCE LESS, WORK BETTER!

THE LIBERAL PERFORMING ARTS BEYOND GROWTH

Endless growth is impossible on a planet with limited resources. The transition into one post growth society is inevitable. And yet the free performing arts are also the dogma of growth determines: So much research has been done in the past three pandemic years, confirmed and produced like never before. Based on working conditions and social security, it has changed to the vast majority of artists nothing has changed, they remain precarious. How do we get out of this hamster wheel? The academy addresses this issue in several lectures and three multi-day workshops. Students and actors from artistic practice, production, dramaturgy, administration, Unions and social services join forces in the search for new employment and production conditions: What does a different theater work look like, if less, but more sustainable? is being produced? When labor, ideas and material are not heated quickly, but used long term will be? When the concern for each other and the creation of common goods and practices is at the center push ?

German & English

REGISTER AT https://www.impulsefestival.de/impulse-akademie-anmeldung

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Friday, 06/16 and Saturday, 17.06.

10.00-13.00 and 15.00-17.00 work in the workshops

Workshop 1: Commoning our work, commoning our institutions. A post-capitalist training of shared work and production

With Gabriella Riccio & Emanuele Braga (Institute of Radical Imagination)

Can artistic practice be a model for ways out of the crisis? In the workshop “Commoning our work, commoning our institutions”, artists and activists from the Institute of Radical Imagination report on their practice: They try to create spaces for the growth of the commons against privatization, gentrification and exploitation – from the micro level of the individual to the reconquest or occupation of urban space and the influencing of planning and politics. Together with the participants, they try to develop the idea of ​​a theater of the commons. The concept of the commons is based on the experience in self-governing art and cultural spaces such as L’Asilo (Naples) or MACAO (Milan), in which the focus is on joint work for a shared space in the city that belongs to everyone.

GERMAN

WENIGER PRODUZIEREN, BESSER ARBEITEN!

DIE FREIEN DARSTELLENDEN KÜNSTE JENSEITS DES WACHSTUMS

Unendliches Wachstum ist auf einem Planeten mit begrenzten Ressourcen nicht möglich. Der Wandel zu einer Postwachstumsgesellschaft ist unausweichlich. Und doch sind auch die Freien Darstellenden Künste vom Dogma des Wachstums bestimmt: Gerade in den vergangenen drei Pandemiejahren wurde so viel recherchiert, konferiert und produziert wie nie zuvor. An den Arbeitsbedingungen und der sozialen Absicherung hat sich für die allermeisten Künstler*innen allerdings nichts geändert, sie bleiben prekär. Wie kommen wir raus aus diesem Hamsterrad? Die Akademie bearbeitet diese Frage in mehreren Vorträgen und drei mehrtägigen Workshops. Studierende sowie Akteur*innen aus künstlerischer Praxis, Produktion, Dramaturgie, Verwaltung, Gewerkschaften und Förderwesen begeben sich gemeinsam auf die Suche nach neuen Arbeits- und Produktionsbedingungen: Wie sieht eine andere Theaterarbeit aus, wenn weniger, aber dafür nachhaltiger produziert wird? Wenn Arbeitskraft, Ideen und Material nicht schnell verheizt, sondern langfristig genutzt werden? Wenn die Sorge umeinander sowie die Schaffung gemeinsamer Güter und Praktiken in den Mittelpunkt rücken?

Deutsch und Englisch

ANMELDUNG UNTER https://www.impulsefestival.de/impulse-akademie-anmeldung

zum vollen Programm gehen
Freitag, 16.06. und Samstag, 17.06.

10.00–13.00 Uhr und 15.00–17.00 Uhr Arbeit in den Workshops

Workshop 1: Commoning our work, commoning our institutions. Ein postkapitalistisches Training geteilten Arbeitens und Produzierens

Mit Gabriella Riccio & Emanuele Braga (Institute of Radical Imagination)

Kann künstlerische Praxis ein Vorbild für Wege aus der der Krise sein? Im Workshop „Commoning our work, commoning our institutions“ berichten Künstler*innen und Aktivist*innen des Institute of Radical Imagination aus ihrer Praxis:  Sie versuchen, Räume für das Wachstum der Commons gegen Privatisierung, Gentrifizierung und Ausbeutung zu schaffen – von der Mikroebene des Individuums bis hin zur Rückeroberung oder Besetzung von städtischem Raum und der Beeinflussung von Planung und Politik. Gemeinsam mit den Teilnehmenden versuchen sie, die Idee eines Theaters der Commons zu entwickeln. Der Begriff der Commons stützt sich dabei auf die Erfahrung in selbstverwalteten Kunst- und Kulturräumen wie L’Asilo (Neapel) oder MACAO (Mailand), in denen die gemeinsame Arbeit für einen geteilten Raum in der Stadt, der allen gehört, im Mittelpunkt steht.

English

INCONDIZIONATAMENTE Vita Reddito Amore | Performance
Italiano | English

Basket Court, Piazza Selinunte Milan | September 30th 2022 at 6 pm followed by the Panel The Art of the Commons + October 1st 2022 at 5 pm | In the framework of FAROUT Festival/Base MIlano & Walk the red line Festival/Le Alleanze dei Corpi

BASED ON AN IDEA BY

Anna Rispoli

for the Wiener Festwochen 2021
CONCEPT, DRAMATURGY, DIRECTION

Emanuele Braga, Gabriella Riccio (Institute of Radical Imagination) & Anna Rispoli

TEXT

Emanuele Braga, Gabriella Riccio (Institute of Radical Imagination) & Anna Rispoli + 11 inhabitants of Milan

INTEINTERVIEWS

Laila Sit Aboha, Iman Salem

WITH THE PARTICIPATION OF

Samuel Adoma, Fabrizio Bassani, Nadia Belatik, Ale Cane, Ivan Carozzi, Yuri Simone D’Ostuni, Osasele Eromosele/Iman Salem, Simona Franzé, Federico Fumagalli, Roberto Mastroianni/Lorenzo Fidanzi, Vincenzo Pizzolante/Dario Leone, Gabriella Riccio e Anna Rispoli.

A PRODUCTION BY

Institute of Radical Imagination

PARTNERS

Base Milano, Le Alleanze dei Corpi, Landscape Choreography

Credits Incondizionatamente

UNCONDITIONALLY. Life Income Love

What would the world be like if everyone had enough money to lead a worthy life? What if everyone got a universal and unconditional basic income?

Starting from the Art for UBI (manifesto), IRI proposes discussions on the role that art and the world of cultural production should have in the struggle for financial redistribution based on mutualism, on the methods of self-management of resources, on access to the means of production. and other solidarity practices.

With performance UNCONDITIONALLY. Life Income Love, people of different backgrounds and working conditions gather in a choreographed assembly to discuss the impact that a universal and unconditional income would have on their lives. Is the RBUI a “simple” financial measure or a fundamental tool for a radical alternative to the neoliberal reality in which we live? What would it be like if income and working hours weren’t linked? If you could say no to the blackmail of precariousness? End the race and gender asymmetries so common in today’s labor market? Detoxify the planet from ecologically dangerous jobs? Caring and helping each other in the face of the endless invitation to be competitive individuals? These are some of the questions that inspire public dialogue.

On this occasion, an IRI team worked to adapt Anna Rispoli’s proposal and produce a performance that takes up these lines through a series of interviews with a group of people who live and work in Milan and who are interpreters of this representation.

Emanuele Braga
Gabriella Riccio
Anna Rispoli

Emanuele Braga is an artist, theorist and activist. Co-founder of the MACAO assembly of artists (2012), as well as of the dance company Balletto Civile (2003), of the contemporary art project Rhaze (2011), Landscape Choreography (2012), and member of the Institute of Radical Imagination. His research focuses on alternative models of cultural production, processes of social transformation in relation to digital technologies, political economy, labor rights and the institution of the commons.

Gabriella Riccio, choreographer and performer artist lives between Naples and Madrid. She founded Caosmos (2001) and ciagabriellariccio (2003). She is an activist in the movement of commons and self-governing cultural spaces, she is an “inhabitant” of L’Asilo-Ex Asilo Filangieri in Naples (2012) and co-founder member of the Institute of Radical Imagination (2018). Gabriella works at the intersection of aesthetics, ethics and politics in contemporary prefigurative practices on the border between performance, artistic creation and activism.

gabriellariccio.it

Anna Rispoli works on the border between artistic creation and activism, to explore in a performative way the triangulation between man-city-identity and to test possible affective appropriations of the public territory. The forms vary according to the conceptual needs of each project. Anna Rispoli is part of the Common Wallet, a red informal de economía solidaria that persuades a “polyamorous relationship with money”.

annarispoli.be

Milan, Piazzale Selinunte – October 1, 2021

Milan, KinLab – September 30, 2021

Art for UBI Terraforming, courtesy of Emanuele Braga
Art for UBI, Art for UBI the Book

THE ART OF THE COMMONS | Panel

Basket Court, Piazza Selinunte, Milan – September 30th at 7 pm

Free entrance

MODERATOR

Emanuele Braga

WITH

Marco Baravalle, Kuba Szreder, Alberto Cossu, Gabriella Riccio, Massimiliano Mollona

Recent publications will be presented on the theme of precariousness and income: Art for UBI (manifesto), The ABC of the Projectariat: Living and Working in a Precarious Art World, Art/Commons, Autonomous Art Institutions Artists Disrupting the Creative City.

PROFILES

Kuba Szreder is a researcher, lecturer and independent curator, working as an associate professor at the department for art theory of the Academy of Fine Arts in Warsaw. He has co-curated many interdisciplinary projects hybridizing art with critical reflection and social experiments. He actively cooperates with artistic unions, consortia of post-artistic practitioners, clusters of art-researchers, art collectives and artistic institutions in Poland, the UK, and other European countries. In 2009 he initiated the Free / Slow University of Warsaw, and in 2018 he established the Center for Plausible Economies in London, a research cluster investigating artistic economies. His most recent book The ABC of the projectariat. Living and working in a precarious art world, was published by the Whitworth Museum and Manchester University Press in December 2021.

——

Alberto Cossu is a sociologist and media scholar who does research at the intersection between digital media and activism qualitative and digital methods collaborative and digital economies. Before joining the University of Leicester he was Lecturer in New Media & Digital Culture at the University of Amsterdam and previously a Research Fellow at the Department of Social & Political Sciences University of Milan where he has obtained his PhD in Sociology. During his PhD he has conducted research on the mobilisation of knowledge and art workers in Italy; within the EU project P2PValue he was part of an international team led by Prof. A. Arvidsson on peer-to-peer models of organisation and production in Italy and France on digital economy and co-working spaces in Italy and Thailand.

——

Marco Baravalle is a member of S.a.L.E. Docks, a collective and an independent space for visual arts, activism, and experimental theater located in what had been an abandoned salt-storage facility in Dorsoduro, Venice. Founded in 2007, its programming includes activist-group meetings, formal exhibitions, screenings, and actions. In addition to managing the diverse programming at S.a.L.E. Docks, Baravalle is currently a research fellow at INCOMMON (IUAV University of Venice). His fields of research include the relationship between art, theatre and activism, creative labor, gentrification, and the positioning of art within neoliberal economics.

——

Emanuele Braga co-founder of Macao center, an artist, researcher and activist. In addition to his work at Macao, he co-founded the dance and theatre company Balletto Civile (2003), the contemporary art project Rhaze (2011), as well as Landscape Choreography (2012), an art platform questioning the role of the body under capitalism. His research focuses on models of cultural production, processes of social transformation, political economy, labor rights and the institution of the commons.

——

Massimiliano (Mao) Mollona writer, filmmaker and anthropologist. He has a multidisciplinary background in economics and anthropology and his work focuses on the relationships between art and political economy. He conducted extensive fieldworks in Italy, UK, Norway and Brazil, mainly in economic institutions, looking at the relationships between economic development and political identity through participatory and experimental film projects. His practice is situated at the intersection of pedagogy, art and activism.  Mollona is a founding member of the  LUC Laboratory for the Urban Commons (LUC), Athens.

——

Gabriella Riccio is an artist, activist and independent researcher. Since 2000 she has been active as choreographer, as well as cultural advisor. Since 2010 Gabriella is engaged in the movement for the commons, artworkers struggles and the Italian movement of self-governed cultural spaces, where as a resident member of L’Asilo – Ex Asilo Filangieri in Naples, she contributed to the Declaration of urban civic and collective use. She is regularly invited as keynote, public speaker and lecturer on practices of commoning and governance. She contributed to EU participatory policy development within the framework of EU Citizen’s Engagement and Deliberative Democracy Festival, EU projects Cultural and Creative Spaces and Cities,  DISCE Developing Inclusive Sustainable Creative Economies, Creative Lenses. She contributed to several publications, a.o. Home of Commons, online toolkit for participatory development  2021, Per un approccio sistemico al patrimonio culturale: usi civici e beni comuni. Il caso dell’Ex Asilo Filangieri di Napoli in Visioni al Futuro 2018, La pratica dell’uso civico come scelta estetica etica e politica per il sensible comune in Stefano Rodotà, I beni comuni. L’inaspettata rinascita degli usi collettivi, 2016, L’Asilo as a case study for Creative Lenses,  and L’Asilo in Models to Manifestos, 2019.  Gabriella is a co-founding member of the Institute for Radical Imagination.

Art for UBI Terraforming, courtesy of Emanuele Braga
Art for UBI

L’ARTE DEI COMMONS | Panel

Campo di Basket, Piazza Selinunte Milano

30 Settembre 2022 ore 18:00

Accesso libero

MODERA

Emanuele Braga

CON

Marco Baravalle, Kuba Szreder, Alberto Cossu, Gabriella Riccio, Massimiliano Mollona

Saranno presentate recenti pubblicazioni intorno al tema della precarietà e del reddito: Art for UBI (manifesto), The ABC of the Projectariat: Living and Working in a Precarious Art World, Art/Commons, Autonomous Art Institutions Artists Disrupting the Creative City.

BIO

Emanuele Braga co-fondatore del Macao center, artista, ricercatore e attivista. Oltre al suo lavoro a Macao, ha co-fondato la compagnia di danza e teatro Balletto Civile (2003), il progetto di arte contemporanea Rhaze (2011) e Landscape Choreography (2012), una piattaforma artistica che mette in discussione il ruolo del corpo sotto il capitalismo. La sua ricerca verte sui modelli di produzione culturale, sui processi di trasformazione sociale, sull’economia politica, sui diritti del lavoro e sull’istituzione dei beni comuni.

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Art for UBI Performance

INCONDIZIONATAMENTE Vita Reddito Amore | Performance
Italiano | English

Campo di Basket, Piazza Selinunte Milano 30 Settembre ore 18:00 a seguire il Panel L’Arte dei Commons + 1 ottobre ore 17:00 Nell’ambito di FAROUT/Festival Base & Le Alleanze dei Corpi

Basato su un’idea di Anna Rispoli
Idea Drammaturgia Regia: Emanuele Braga, Gabriella Riccio (Institute of Radical Imagination) & Anna Rispoli
Testo: Emanuele Braga, Gabriella Riccio (Institute of Radical Imagination) & Anna Rispoli + 11 abitanti di Milano
Interviste: Laila Sit Aboha, Iman Salem
Con la partecipazione di: Samuel Adoma, Fabrizio Bassani, Nadia Belatik, Al Cane, Ivan Carozzi, Yuri Simone D’Ostuni, Osasele Eromosele/iman Salem, Simona Franzé, Federico Fumagalli, Roberto Mastroianni/Lorenzo Fidanzi, Vincenzo Pizzolante/Dario Leone, Gabriella Riccio e Anna Rispoli.
Una produzione Institute of Radical Imagination
Partners: Base Milano, Alleanze dei Corpi, Landscape Choreography
INCONDIZIONATAMENTE VIta Reddito AmoreDownload

UNCONDITIONALLY. Life Income Love

Campo di Basket, Piazza Selinunte Milano, Settembre 2022
Credits Incondizionatamente

Come sarebbe il mondo se tutt* avessero sufficiente denaro per condurre una vita degna? Se tutt* ricevessero un reddito di base universale e incondizionato?

Partendo dall’Art for UBI (manifesto), l’IRI propone discussioni sul ruolo che l’arte e il mondo della produzione culturale dovrebbero avere nella lotta per la redistribuzione finanziaria basata sul mutualismo, sulle modalità di autogestione delle risorse, sull’accesso ai mezzi di produzione e altre pratiche solidali. 

Con la performance INCONDIZIONATAMENTE. Vita Reddito Amore,  persone di diversa estrazione e condizione lavorativa si riuniscono in un’assemblea coreografata per discutere dell’impatto che un reddito universale e incondizionato avrebbe sulle loro vite.  Il RBUI è una “semplice” misura finanziaria o uno strumento fondamentale per un’alternativa radicale alla realtà neoliberista in cui viviamo? Come sarebbe se guadagno e ore di lavoro non fossero legati? Se si potesse dire no al ricatto della precarietà? Porre fine alle asimmetrie di razza e genere così comuni nel mercato del lavoro di oggi? Disintossicare il pianeta da lavori ecologicamente pericolosi? Prendersi cura e aiutarsi a vicenda di fronte all’infinito invito a essere individui competitivi? Queste sono alcune delle domande che ispirano il dialogo pubblico.

In questa occasione, un team dell’IRI ha lavorato per adattare la proposta di Anna Rispoli e produrre una performance che riprende queste linee attraverso una serie di interviste ad un gruppo di persone che vivono e lavorano a Milano e che sono interpreti di questa rappresentazione.

What would the world be like if everyone had enough money to lead a worthy life? What if everyone got a universal and unconditional basic income?

Starting from the Art for UBI (manifesto), IRI proposes discussions on the role that art and the world of cultural production should have in the struggle for financial redistribution based on mutualism, on the methods of self-management of resources, on access to the means of production. and other solidarity practices.

With performance UNCONDITIONALLY. Life Income Love, people of different backgrounds and working conditions gather in a choreographed assembly to discuss the impact that a universal and unconditional income would have on their lives. Is the RBUI a “simple” financial measure or a fundamental tool for a radical alternative to the neoliberal reality in which we live? What would it be like if income and working hours weren’t linked? If you could say no to the blackmail of precariousness? End the race and gender asymmetries so common in today’s labor market? Detoxify the planet from ecologically dangerous jobs? Caring and helping each other in the face of the endless invitation to be competitive individuals? These are some of the questions that inspire public dialogue.

On this occasion, an IRI team worked to adapt Anna Rispoli’s proposal and produce a performance that takes up these lines through a series of interviews with a group of people who live and work in Milan and who are interpreters of this representation.

.

Milan, Piazzale Selinunte – October 1, 2021

Milan, KinLab – September 30, 2021